Reviews

For review and radio play consideration:

Please send vinyl (preferred), CD, or cassette releases to MRR, PO Box 3852, Oakland, CA 94609, USA. Maximum Rocknroll wants to review everything that comes out in the world of underground punk rock, hardcore, garage, post-punk, thrash, etc.—no major labels or labels exclusively distributed by major-owned distributors, no reviews of test pressings or promo CDs without final artwork. Please include contact information and let us know where your band is from!

Rugh Quintessence EP

RUGH is the sonic equivalent to a kick to the groin! Quintessence is a four-track vicious cacophony of darkened crust in the vein of ALL PIGS MUST DIE and BAPTISTS. RUGH have the ability to pour their anger into every riff and scream, (dark)crafting—TRAP THEM reference, for the ones that are less attentive—an atmosphere that feels both chaotic and cathartic. Their music hits hard and fast, wounding you in an aural punch of ferocity and violence. Crank up the volume, let the bad vibes wash through you.

Silicon Heartbeat 2889 EP

SILICON HEARTBEAT is a perfect horror rock/punk band for spooky season, but also year-round. These guys are so strange in the best way. I really enjoyed the variety of more punk songs to the weirder, more synth-heavy ones. With clear distorted bass lines sprinkled throughout ghost-like synths, they create an eerie vibe that seems to linger. They end their EP with a fantastic cover of KRAFTWERK’s “The Model;” a bit more reminiscent of BIG BLACK’s cover, but more otherworldly. Just by checking out their album cover, you know you’re in for an unearthly good time.

Soft Kill Roseland 12″

SOFT KILL from Chicago, Illinois recently released the three-song Roseland 12″. The opening “Blood On My Shoes” is a shoegazing, synth-heavy opus that reminds me heavily of Y2K-era college radio. “Roseland,” the following track, is a bit more upbeat with a lilting dance beat and a very new wave feel. The closing song “Circles” is a cover of DAG NASTY, and is a pretty rocking take on the song. In all, the Roseland release represents the multi-faceted approach to music SOFT KILL has become known for.

Soup Activists Mummy What Are Flowers For? LP

This is some amazing weirdo-punk post-pop out of St. Louis—think ’60s-inspired TELEVISION PERSONALITIES-adjacent stuff if they let Gordon Gano write lyrics and play xylophone for them. The band is helmed by Martin Meyer of LUMPY AND THE DUMPERS notoriety, and takes the energy and angsty shock of that project and gives it the JONATHAN RICHMAN treatment with sinisterly sweet storytelling lyrics and simple melodies that get stuck in your head like a food stain you can’t get out. Slightly reminiscent of Devon Williams leaving OSKER after their antithetic punk scene opus “Idle Will Kill” to form FINGERS CUT MEGAMACHINE and whatever else he’s doing these days.

The Stems Mushroom Soup: The Citadel Years LP

While these guys delivered a deliberately ’60s-sounding psychedelic/garage experience, they were actually an Australian band from the ’80s. They were a big deal back then. If you’re a fan of fuzz and organ and your sensibilities are firmly rooted in the garage, you’ll latch onto this one. That’s a sound that can be sort of hit or miss with me, mostly because I find it’s easy to do a poor job of it. Not so here. This is good shit. Eighteen cuts is definitely pushing my attention span, but it doesn’t come at the expense of quality. Excellent record.

Voidd Final Black Fate Complete Recordings: 1990–1992 CD

An extensive anthology that gives us viciously executed raw metal punk with crust, sickening thrash, and merciless grindcore. A Nagoya, Japan project started in 1989, this LP combines their early recordings until 1992, a point where the band started to explore other sounds and cadences. Darkened thrash with heavy, steady tempos is combined with flaming riffage on behalf of the guitars, plus maniac vocals that go from guttural pig to cavernous, deep madman. Highly recommended for the dis-lovers, but also thrash maniacs and crust-associated people. I personally recommend the first set named Premonitory Inscription Demo 1, compiled from their very first recording in 1990. Fire and thrash!

Zone Trooper Zone Trooper LP

The self-titled album by ZONE TROOPER from Portland, Oregon is excellent. DIY-style rock’n’roll that explores ’80s metal and prog rock. A very “western” aesthetic is dealt with the intro song and seems to return sporadically as the band explores their sonic range. Fans of MOTÖRHEAD and IRON MAIDEN will for sure like tracks like “Steel Horse War” and the closer “Snowy Peaks.” The more progressive, ambient elements remind me most of EARTH. ZONE TROOPER is definitely not for the pogo crowd, but if you’re into experimental, riff-heavy rock, then absolutely take a shot.

V/A No Occupation: Another Benefit for Mutual Aid in Gaza cassette

I hate that I have to review this release. Or rather, I hate that this release has to exist. In a non-broken world, the people who have the power to stop a genocide—in this case the US government—would. They’d see the thousands upon thousands of innocent Palestinians being slaughtered, or the umpteenth hospital being bombed to dust, and go, “OK, that’s way more than enough!” Of course, we don’t live in that world. The world we live in asks us which of the two US presidential candidates loudly pledging fealty to Israel we prefer: the one who thinks the other side of the mouth should be reserved for shouting “finish the job,” or the one who thinks it should be reserved for uttering passively phrased lip service to the victims of the bombings that are within their power to stop. Now it’s up to regular-ass people with minimal resources to step up and work extremely hard to do something, anything, to somewhat mitigate this disaster. In this instance, it’s punks behind the band the DISSIDENTS, and they’re assembling a cassette compilation—the second of three so far—to raise money to send to Gaza Soup Kitchen. It’s sixteen tracks in all, featuring contributions from a slew of the best bands going these days, including ALIEN NOSEJOB, COLLATE, PRISON AFFAIR, SOUP ACTIVISTS, TIIKERI, and new Philly band ERASER, who I think provide the highlight of the release. I’d probably tell you to buy this even if it sucked. It doesn’t, though—it’s great! I just wish it didn’t exist. Free Palestine!

V/A Thesaurus, Vol. 7 2xLP

Cameleon continues to dive deep into rare and/or unreleased French tunes and share their spoils with the world. Here we’re treated to 30 such tracks from 25 different artists, all originally recorded between 1978 and 1986. As you might expect, there is a big variety to digest here, and while not every track is an absolute highlight, all are at least pretty good or interesting. The comp starts with a few straightforward punk numbers, veers into some great post-punk moments, and even throws in a live cover of the RINGS’ “I Wanna Be Free.” It feels silly to dig into specific bands and songs when there are so many on the comp, but a big standout for me was “Pay The Bill” by MOKOS—a fantastic track with tinges of power pop all over the sub-two-minute runtime. The songs seem fairly split down the middle between being sung in English and in French, which also helps keep things fresh when presented with so many tracks. Cameleon often reinforces their strength one rescued 7” at a time, but this comp serves as a pleasant reminder that they can please at length just as easily.

Μπριτζολιτσεσ Α​ι​σ​χ​ο​σ Ν​τ​ρ​ο​π​η cassette

This is some ripping weirdo punk from Greece, something I do not come across daily. These songs do not let up, often anchored by breathless drums that have punk energy and a German psych precision and mobility. When the band strays from their formula of angular, anarchic lo-fi punk, the rewards dwindle, such as on the too-zany cut “Love Your Baby/Moron.” But overall, this is a group that plays serious without taking itself too seriously. The results are enough to make your brain wiggle.

American Muscle American Muscle demo cassette

Debut release from this trio of Detroit steakheads. These dudes mix BUCK BILOXI-styled dum-dum braggadocio, GOLDEN PELICANS-esque hard-headed hard rock, and PENETRATORS-esque tuneful budget punk to cook up four cheap, greasy tracks perfect to kill brain cells by. The cassette’s highlight is “Best Band in Detroit,” where the only lyric—delivered as much as a threat as it is a boast—is “I’m the best band in Detroit.” Maybe the best conflation of band and frontman since “Tighten Up”! Turn your brain off and the stereo up!

Angel Face Angel Face LP

New raw garage in supergroup packaging, all by way of Tokyo. Boasting members from FADEAWAYS, FIRESTARTER, and most notably Fink from the almighty TEENGENERATE, the band has more aptitude than most. This LP burns in the red, and is the perfect amount of slightly deranged and perfectly out-of-sync. There is a pubescent joy that gets raked into the songwriting in a way that moves bodies to a beat, with the band’s backing harmonies being the sell. “That’s Enough,” “Bring Me Back,” and “Take It Or Leave It;” the record is teenage joy spun on a platter.

Band of Bastards / Black Mercy American Carnage / The Curse split LP

​​BLACK MERCY and BAND OF BASTARDS are both punk/hardcore bands from Austin, Texas. This split LP offers ’80s-style blasts of hardcore on both sides. BLACK MERCY has a bouncy, lurchy feel on tracks like “The Curse.” They call to mind the frenetic urgency of SOUL GLO and classics like MINOR THREAT’s self-titled release. I particularly enjoyed “Salvo,” with its guitar soloing and danceable breakdowns, and imagine this would be a ton of fun to see live. BAND OF BASTARDS features former members of SPARTA and …AND YOU WILL KNOW US BY THE TRAIL OF DEAD. Interestingly though, the band sounds like neither of those, and once again conjures not only ’80s hardcore but also DC hardcore (my favorite kind!) in particular. “FYP” is a powerful anthem, with driving drums and a switch to an upbeat rhythm midway through. I loved the lyrics of “Lack of Love,” a snarling treatise on “shitheads with no remorse,” exploring empty words and the disconnect of those who make policies and those who have to live with them. Overall, I am excited by what these bands are doing, their take on the world, and the politics/values they are covering. What this split did, which is what all good splits should do, is make me wish I was at a show they were both playing—ideally in front of a building we were all protesting. Coke bottle clear with blue swirl vinyl frankly also sounds delightful, and this release can provide you that!

Beige Banquet Ornamental Hermit LP

BEIGE BANQUET is anything but beige when it comes to their musical style. They bring an almost artsy and darker vibe to punk, utilizing both distorted bass lines and heavy percussion at times. What gripped me most was the haunting repetition of vocal lines that were layered over noisy and gloomy instruments. They’re able to smoothly transition from a slightly heavier and noisier energy in “Parasitic Energy” to a quieter percussion solo in the intro of “Mind Lapse”, which I find just really well done. The use of spoken words was really interesting too, and kept me on my toes. Overall, BEIGE BANQUET brings a unique twist and energy to punk.

Big Dog In the Yard EP

A healthy serving of meat-and-potatoes skinhead rock’n’roll from VIOLENT WAY alums, and boy, I hope you are hungry. Bully XL vocals barking against the usual bêtes noires of the modern skin, namely scruffy bastards, fighting, and middle class frauds. Lyrics are, much like this record, both short and to-the-point, and delivered with aplomb over some extremely rockin’ stompers. If you can’t run with the BIG DOG, stay on the porch.

Carnage Asada Head on a Platter CD

First album since 1999 from this Los Angeles band, which has included L.A. punk luminaries like Joe Baiza, filmmaker Dave Markey, and Dez Cadena. The current lineup mixes wah-heavy psych rock, heavy blues jams, and the mostly-spoken observational storytelling of vocalist George Murillo. Songs like “Germs Reborn” have an early L.A. hardcore speed and approach, but most of these tracks are jammy affairs with occasional trumpet backup and even Norteño rhythms. Despite the hardcore pedigree and my unwavering love of most eras of the SST catalog that seems to most influence CARNAGE ASADA, this was a miss for me. “Chinese Lady Aluminum Foil” tells a story about a woman wearing an aluminum foil hat to prevent Martian mind control. And while the song is somewhat sympathetic to her (“Never hurt nobody / Always looks so lonely”), I assume this is about a real person who may have mental health issues. At best, it seems callous. Then we get “Little Fat Princess,” another observational tale of a child throwing a tantrum, with the lines, “Little fat princess / Stomping your feet / Little fat princess / Give me something to eat.” I mean, it’s a kid, and the chorus repeats the title quite a few times. It just sounds out of touch, and both mentioned songs ride a very fine line between describing daily life occurrences and punching down. The musicianship is top-notch and the stylistic diversity is interesting, but it’s not a repeat listen for me.

Crossed Wires Ellipsis LP

Mid-tempo and super catchy as it prods along, there is a lot to like about this, including that it kind of reminds me of SONIC YOUTH with that sort of grinding guitar sound. The female vocals are really nicely delivered. Power pop? Pop punk? Or maybe just pop? Doesn’t really matter, this Canadian three-piece has delivered a winner here. This will be a part of my regular rotation for quite some time.

Dead Street Dreamers Countdown to the Reaper CD

Fun street punk outing here—hard-hitting songs, high-energy vocalist, and a lead guitarist serving up some tasty licks. Nothing groundbreaking, but if you’re into stuff like STREET BRATS and early DROPKICK MURPHYS, you’ll dig this. Apparently the lead guitarist used to play with RIVER CITY REBELS, and while I can’t find which era he belonged to, they’re a good comparison point as well.

Fentanyl Fentanyl LP

San Francisco’s FENTANYL takes a unique approach to hardcore. Instead of the more commonly heard fuzzy distortion, they opt for a clean, stabbing guitar sound that really does set them apart. On their debut self-titled LP, they pair that DEAD KENNEDYS-inspired treble with rabidly barked, anxiety-riddled lyrics that are direct and to the point. For fans of the members’ stacked resumes, which include SPY, SPIRITUAL CRAMP, and WORLD PEACE.

Grimly Forming / Rolex split LP

Killer split by two great L.A. bands. This is the first that I have heard from GRIMLY FORMING since the band’s ’22 release. They had this song on there called “Killing Spree” that was stupid good. Well, shit! Guess what? It’s on this pressing also! GRIMLY FORMING is in peak form on each of the ten tracks. The band loses zero velocity and is a relentless horror hammer of a band to listen to. Perfect. ROLEX was a band that I had not heard yet, but am going to learn to love a lot! They combine a ratio of CHEETAH CHROME MOTHERFUCKERS and SACCHARINE TRUST in a way that could easily be amongst the glorious SST roster of ’82. “Let’s Get Away With It” is probably one of my favorite songs of the fucking year!! Buy.

Guerra Final Purgatorio EP

GUERRA FINAL emerges from the heart of Texas’s burgeoning punk scene with a raw, electrifying energy that is as raucous as it is intense. Their second EP Purgatorio combines aggressive outbursts with catchy hooks, creating a dynamic and addicting mixture. GUERRA FINAL blends POISON IDEA-like guitar riffs, with frenetic drumming and the songwriting sensibility of Burning Spirits-styled bands. Each track pulsates with a relentless rhythm and undisputed attitude. In a punk landscape often crowded with formulaic bands, GUERRA FINAL stands out as a fresh fix ready to take the genre back to its roots. Keep an eye on these punks—they’re just getting started.

Richard Hamilton Yellow Datsun Car / I Want U 2 Call Me 7″

The initial reference to “the Mission” and the fact that the car on the cover has California plates made me think that this dude (or this band) is a San Francisco thing., but it looks like it’s a Cleveland thing. Maybe. It’s all very easy to listen to. Catchy and going along at a very nice tempo, the male/female vocals are almost soothing. It’s perfect for the jangly and poppy backdrop. Reminds me of FROM BUBBLEGUM TO SKY. Really great pop music.

Leaking Head Play That Fuckin’ Track cassette

Freaked-out and fuzzy hardcore punk from Rochester. This tape from LEAKING HEAD is unhinged and wild, featuring eight tracks that make for a chaotically cohesive listen. Citing inspiration from Cleveland legends H100s and GORDON SOLIE MOTHERFUCKERS, this is similar in spirit but far murkier and mutated, which is a good thing as far as I’m concerned. No single track recommendations here; listen to the whole thing to best experience LEAKING HEAD.

Malakili Malakili LP

The label describes them as a mix of classic American and Swedish hardcore—that sounds extremely accurate to me. An intense-sounding record, with excellent recording. It starts off with my favorite song on the album, and it is ripping, Swedish-influenced hardcore and a quality album throughout. If you like bands like MOB 47 or DIE KREUZEN, you will probably like this one a lot.

Nox Novacula Feed the Fire LP

I’m not even gonna play, I missed seeing NOX NOVACULA this summer at Skull Fest and I’m pretty sore about it. Feed the Fire was released shortly before, and I was hooked on the nine-song album of anthemic deathrock. Feed the Fire has its  moments of introspection and downtempo gothic rock, but the majority of the songs are demanding change by any means and contain an energy to match. If you like 45 GRAVE or you keep up with CIERŃ, you’ll like this.

Poison Idea Blank Blackout Vacant 2xLP reissue

The legendary POISON IDEA from Portland, Oregon sees their fourth studio album, 1992’s Blank Blackout Vacant, reissued by TKO Records and their own label, American Leather Records (again) in this newly remastered and remixed version of the 2020 deluxe reissue. This double-LP gatefold includes an extra LP’s worth of B-sides, rarities, covers, and four songs recorded live on KBOO. The covers include tracks originally by DEAD BOYS, the WHO, and BOOKER T. & THE MG’S. While this doesn’t quite pack the same punch as their earlier releases, it stands above most soundalike bands playing this type of punk/hard rock with metal influences. Recommended for fans of the band and collectors who need every damn version. Check out: “Smack Attack.”

Renkore La Grieta LP

Bello and Medellin, Colombia collective project defending individual and collective freedom. Noisecore crust punks that mark their sound with glances of hardcore and metal, combining two vocals that are ever-ranting and screaming frantically in the most doomy way possible, fast-paced powerviolence drum cadences, and metallic-driven guitars. Suggested track: “El Pogo de los que Sobran.”

Rhizome and the Flavonoids Snifter of Space cassette

After a 2023 debut cassette, RHIZOME returns with another grip of zany new wave absurdity. An Australian solo recording project (unknown if it also is a live band), RHIZOME AND THE FLAVONOIDS have all the ingredients of a kooky, synth heavy, DEVO-esque new wave outfit. The songwriting comes off a bit hard to digest and a little too freeform for the most part, but when there are moments of simplicity within the songs you can get more of a feel for it. I think the best way to make sense of this is that it feels like a new genre of DEVO-jazz, and as someone who doesn’t understand jazz, perhaps that’s where my confusion comes in.

Satanic Togas Illusions / 1998 7″

This is the latest and greatest from song factory Ishka Edmeades, also of GEE TEE and TEE VEE REPAIRMANN fame. Edmeades doesn’t break the mold here, but comes packing with two tracks of snappy, hook-laden punk that satisfies your sweet tooth. The tape-saturated sound bolsters these two bangers and makes them sizzle and pop. The riffs are there, hyperactive but dialed-in, with great licks laid on top to seal the deal. If you know what you’re in for, you’re still in for a treat. And if you’re not hip to this sound yet—dive in.

Sensor Ghost 3 Songs EP

Oddball DC trio offering some sparse and angular art punk. 3 Songs showcases farty bass, simple drums, guitar riffs that go between flowing, lightly distorted leads and staccato jabs—the base ingredients for this type of arty sound, right? The thing setting SENSOR GHOST apart, for me, is the vocals. While playing bass, Mike Andre performs an almost spoken word performance, sneaking in a range of notes from syllable to syllable, creating a textured, spiky landscape that’s going to have the lights on your decibel sensor really dancing. Instruments and vocals pulse throughout the verses, very steadily landing on beat, while choruses get into a syncopated groove with a unique propulsion that I wasn’t expecting, especially apparent on “Crystal Spa.” After some listens, this really grew on me—I get shades of the most experimental DEVO tracks, with a folksy lyrical approach. Mike Andre and Amanda Huron (guitar) are also in PUFF PIECES, and Sam Lavine (drums) plays in LIGHT BEAMS.

Slan Ägd LP

Sweden, the country where playing ANTI-CIMEX lulls children to sleep. There is certainly no shortage of hardcore bands up there, and here comes a new contender in the notorious and much contested “fast and furious käng” category. SLAN is from Gothenburg and includes members of the rather good STRUL (in a SKITKIDS way), among other bands that I am not going to pretend I actually know. Their first EP Skiter I Allt released last year was a definite scorcher if you like your Scandicore on the mangel side of things (by which I mean more on the faster, MOB 47 side) if you want to be anal about it, and the boys are back in business with a full-length entitled Ägd. The recipe hasn’t changed much, but the production is a tad rawer and the vocals more upfront. While the EP had a definite ’80s Stockholm feel to my impeccable ears, the LP makes me think of a dirtier version of KRIGSHOT as well because SLAN manages to play that fast, and of Uppsala bands like CUMBRAGE or even of early VICTIMS in the singing style. It is a seriously raging, direct high-energy effort with some class riffing, but I can’t help but find the LP a little long for this style of punk with a playtime of almost twenty-four minutes (and everyone knows we have a twenty-minute attention span these days, if that). At the end of the day, yet another hard-hitting win from Sweden.

The Stiffs Demos and Rarities 1978–81 LP

The STIFFS were a punky power pop band out of Lancashire, England who put out a handful of damn-near-perfect singles in the late ’70s to early ’80s. As is often the case, there were a bunch of other songs from that early era that were previously unreleased, but luckily Projectile Platters have compiled those demos and rarities together and released them here on this LP. We only get a couple demos (the brilliant “Inside Out” and the lesser “Over the Balcony”), and they are pretty fleshed-out versions of the songs they would ultimately become. The big draw of this compilation, for me at least, is the 1979 radio session; in this stretch we get tight, loud, and energetic versions of “Brookside Riot Squad” and “Kids on the Street,” plus a couple others. These types of collections can often be curiosities at best, but this offering is for more than just the completists or those that are still on the hunt for an original copy of the “Standard English” single. This is an awesome snapshot in time of an early punk band in their prime, doing it better than most did or ever will.

Urban Misery Demo 2024 cassette

URBAN MISERY kicks off their demo with a slower and distinct bass line that quickly morphs into a super fast-paced classic punk song. It’s hard to choose what stood out to me the most: the wailing screams that seem to hover around you, egging you on, the high energy bass that seems to jump out of the shadows and attack you, or the guitar which seems to act as third vocalist in adding high-pitched tones in an almost call-and-response way in “WTF.” Overall, great fast-tempo punk.

Yemen Who is Pull the Trigger? CD

YEMEN is a band that features members of GOUKA, and what we get from them is some Swedish-style D-beat in the vein of ANTI-CIMEX or DISARM. Tough and thick guitar sound with some chaos thrown in just to get it right. Good stuff. Black Konflik continually puts out good crust and D-beat releases, often CD or cassette versions of records. I’m a fan.

V/A Locked in the Basement, Collection 1 LP

Locked in the Basement: Collection 1 is a gritty vinyl compilation that rips through 20 tracks from 20 underground bands in Bethlehem, PA and the surrounding area’s scenes. Born out of the pandemic and fueled by DIY ethos, this project is raw to the bone. The recordings are rough and unapologetic, capturing everything from crust to street punk, post-punk, and grindcore—so don’t expect polish, but get ready for a jolt of unfiltered energy. Standout cuts from ONE SIDED, ALEMENT, CHISELED LILLIES, RA!D, BRAZEN HELL, and PALE FANG tear through the noise, proving this collection isn’t about perfection, it’s about power. Pressed on blood-red vinyl with black splatters, the album also includes a booklet packed with fun stories from the bands’ sessions. Recommended for people who give no shits about recording quality and are interested in checking out what seems to be kind of a cool document of the bands playing in and around this scene since 2020.

V/A No Planet, No Future cassette

Three-band “demo tape comp” from Whitfield, NJ, a small, young scene of bands allegedly surrounded by the elderly in their hometown. Released by Almost Records, which is run by one of the members of NATURE BOYS, these tapes are re-dubbed over secondhand cassettes. The biggest annoyance of the release is that the cassette is very long and there is a ton of dead space on both sides, which could have easily had all the comp tracks on each side. Well, that should be the biggest annoyance. My big gripe is that the glued-down paper label from one of the sides of the tape peeled off while playing and clogged up the guts of my van’s tape deck, causing it to stop working while I was attempting to fast forward through the dead space at the end of one of the sides. No internet presence for any of the bands or for the label, so good luck tracking down a copy for yourself. Onto the music: ANGRY YOUNG MEN live up to their name with the titular track on the compilation. Youthful, energetic, passionate hardcore singing about being young and angry. HEARTCORE rips through the shortest song on the tape. Short, angry, mid-tempo hardcore. NATURE BOYS provide two songs on the comp. Very slick, professionally recorded pop punk. Catchy songs, but I could personally do without the BLINK-182 auto-tuned vocal effects.

Alien Nosejob Turns the Colour of Bad Shit LP

The prolific Jake Robertson returns once again with a new slate of fantastic songs via his ALIEN NOSEJOB project, and continues to surprise by pushing into new sounds. This time around, Turns the Colour of Bad Shit offers up ten tracks of classic punk greatness. And what is true in the macro is true in the micro, as the sounds on these tracks even find ways to change and evolve from one to the next. Kicking off with the slow yet propulsive burn of “Bird Strike,” the record then flips right into the pummeling garage punk highlight of “Trapped in Time.” Anyone who loved this year’s fantastic PACK RAT album will be more than happy to toss this record on right after; snotty lyrical delivery coupled with primitive song structures that don’t need any other add-ons to grab your attention. It’s no wonder that Turns the Colour of Bad Shit is being put out by the trifecta of Total Punk in the US, Drunken Sailor in the UK and Anti Fade in Australia.

Armor Afraid of What’s to Come 12″

One of this year’s best releases—ARMOR from Tallahassee plays modern D-beat with rumbling hardcore vocals on Afraid of What’s to Come; think WARTHOG fronted by the vocalist from T.S. WARSPITE. High praise, I know, but believe me, this EP rips. In addition to their gnarly fusing of styles, the song structures here are stellar. The band utilizes tempo changes to great effect like on opening stomper “En Mass” and my favorite track “Fodder,” which sees the band getting extra raw, almost reminding me of something off of STINGRAY’s Fortress Britain. This one’s a no-brainer, pick up a copy and play it loud.

Bad Crime / Heavy Lag split LP

The HEAVY LAG half of this split LP was recorded by Jeff Burke of MARKED MEN and RADIOACTIVITY, which was a perfect choice by the band for their razor-sharp guitars and relentless rhythm section. I can hear some of Burke’s influence on the songs, and that is a total compliment. It’s what you want when you go with a well-traveled, experienced engineer in the studio—you could hear it on the band’s last album (Another Year Closer to Whatever) recorded by the BOUNCING SOULS’ Pete Steinkopf. The BAD CRIME half was recorded in their hometown of Milwaukee. They share the spirit and same endearing, lo-fi “wheels falling off” appeal of fellow Brew City punks MODERN MACHINES.

Bathouse Helping Bats Helping People 12″

Noisy garage punk band with whiny screaming. I’m a bit prejudiced because of my love of bats, but I thoroughly enjoyed this album. With each song, you get jolted with a different style of fast and upbeat noise. I can’t decide what my favorite track is. I loved the funky intro into the heavy-ass chaos in “Ideal Specimen,” as well as the build-up in “Bathouse” where you’re just hit with a wall of sound that catapults you through a void.

Bootcamp Controlled Burn cassette

Fast and angry hardcore punk from Iowa City with a D-beat backbone and catchy hooks. With their sights set on the genocidal war machine in the Middle East, Henry Kissinger, scummy rich kids, and the factory-farming ravaging the Midwest, BOOTCAMP provides plenty to hate (on) here. Each track is a banger, but I recommend the closing title track, “Controlled Burn.” At a whopping one-minute-and-forty-seconds, it’s their longest track and a total scorcher, one you can imagine the knock-off Looney Tunes on the cover dancing to while the industrial farming facility behind them burns to the ground. Great stuff and highly recommended.

Compulsion / Wrong War split LP

This split LP from Chicago’s COMPULSION and WRONG WAR, released by Council Records, features five tracks from each band. WRONG WAR, featuring former members from CURRENT, OTTAWA, and the PHENOMS, delivers energetic and driving songs that incorporate spacious arrangements and interesting guitar work. Their songwriting, paired with Matthias Weeks’ powerful vocals, harkens back to some of those late-’80s/early-’90s Dischord bands while retaining that classic Chicago hardcore drive. This is some great shit. COMPULSION’s side maintains a lot of the energy found in WRONG WAR’s tracks but sacrifices the refinement. Their gritty, mid-tempo hardcore is punctuated by Ebro Virumbrales’ bellowing vocals and an abundance of self-indulgent guitar licks. This side is recommended for fans of BLACK FLAG. Check out: “Profit Net” by WRONG WAR.

The Crack Walking on the Water LP

Not to be confused with the other proto-Oi! band with the same name, I’ll take these guys. This LP is the band’s whole story from ’78-’80, a time capsule of perfect pints and songs of drama. The sound is all super tight and brolic pub pop with fringe elements of harmonizing guitars in the THIN LIZZY vein. Hard mod for sure, bluesy and at times metal. I think the best-of-the-LP award is obvious when you listen to “Sticky Kisses” and “Next Plane.” Would love to see some live footage of them chopping away. I’ll take another.

Diode 2 LP

If you’re still riding high on the eggy synth punk wave, check out L.A.-based DIODE. Wobbly synths tangle and arpeggiate into warped pop experiments with vocals that remind me of C.C.T.V. While many bands of this ilk tend to include a keyboard line over garage punk, DIODE has a distinct post-punk skeleton, and they aren’t afraid to venture down a dissonant path for a measure or two. Right in the middle lies “Card Dealer,” a beautiful, heart-tugging pop song with Kim Gordon-style vocals and a buzzing hook that burrows deep. Killer song and great record overall.

Doc Hopper Something Old, Something New, Something Borrowed, Something Blew cassette

Simply put, this album is a safety-pinned smörgåsbord of covers, original songs, and leftovers across the decades of DOC HOPPER’s reign, meant to be parsed through and enjoyed. You easily hear the band’s chemistry upon listening, as they create a punk language between themselves, usually an invention of bands who just know what the fuck they’re doing. From start to finish, it includes masterful screeching riffs, thundering bass lines, and excitable drums all starting and stopping along each other’s axis. Lyrically, it’s comprised mostly of hedonistic hail-marys spewed by vocalist Greg Hoffman, best demonstrated in the cover of “Drink, Fight, and Fuck,” by GG ALLIN, definitely making ALLIN proud if he could listen from hell. This release takes you for a joy ride, ranging from “Shirt…Lose It…Now” and its beautiful caterwauling guitar, to “The State of Maine Song,” which ends the party on a calmer note of comradery. Creating alcoholic anthems and punk rock classics since the ’90s, they maintain a similar sound to SINKHOLE, their New England scene peers, and even share drummer Chris Pierce. Overall, Something Old, Something New, Something Borrowed, Something Blew is a peak Frankenstein lab creation of punk hardiness through the eras.

Gino and the Goons / High Heels split LP

The HIGH HEELS are in excellent form on this split. I hadn’t heard of them until this LP, but I like what I hear on this. Nice fuzzy guitars, hard-hitting drums, and warm bass. I was at first dumbfounded by the fact that there were old Hanna-Barbara-era Scooby Doo villains on the cover, but now hearing the music, it makes a lot more sense. Even though I’d say it’s most certainly garage rock, it has a spookier vibe than most when it comes to the vocals, and I think that’s what sets it apart. Good stuff, check it out if you like some fuzz on your guitars.

The Gobs Go Soft / Pop Off EP

My initial thought seeing this single was “Wow, a Goodbye Boozy band with songs that run longer than two minutes?” Took me a minute-and-a-half to realize that this isn’t a single at all; the A and B-sides are just two different EPs. More lo-fi, synth-driven egg-punk that we’ve come to expect from this label. However, each song has a different vibe to it. There’s a diverse range of gear used on each track, specifically the different drum machines featured throughout. The GOBS bounce back and forth between sounding like PRISON AFFAIR, ’90s dream pop, and sinister darkwave. Really freshens things up and keeps them from sounding like the hundreds of other egg bands out there right now.

Hoax / Motron split LP

Split effort coming from Italy with seven tracks per project, including a cover on each side, supported by multi-cooperative DIY labels. Motörcharged dis-punkers to the fullest, with superb cover art of a dystopian family couch for this album. MOTRON is more on the metal punk side of Lemmy’s moon, holding a grip of darker, gloomier tones in their charging, doom-thriving bass lines, mid-paced, rock-solid drums, and deep, angry, guttural vocals confronting almost mirrored guitar sections and minor riffage. Suggested track: “Lack of Shame.” HOAX goes for faster-paced cadences and sickened, steadier vocals, with a more distorted approach in the strings but keeping classical rhythms in their charged situation. Suggested track: “On Your Grave.”

Ismatic Guru IV cassette

Buffalo duo John Toohill (SCIENCE MAN/Swimming Faith Records) and Brandon Schlia (Steak and Cake Records) are back with their fourth cassette release as ISMATIC GURU. It’s their first since being cited by Spin as one of the many bands making up egg-punk’s cresting second wave (BTW, seeing them listed in this context felt like coming across a 1977 NME article covering UK punk’s second wave listing F.U.2. alongside acts like EATER or GENERATION X—like, yes, technically accurate but still kinda way off). Now, this may just be me, but I feel like they’ve toned down the egginess since then. I mean, the squiggly guitar and cartoony bounce are still there, but they seem to be shifting focus to the more experimental or proggier elements of their sound. The five tracks that make up  the release are darkly melodic, intricately composed, technically proficient, and, considering the average song length is 1:18, absolutely packed to the brim with ideas. Imagine some mix of SPLLIT, MR. BUNGLE (at their least annoying!), and DON CABALLERO. Also, John’s vocal performance is fuckin’ phenomenal here—dude might be on of the most underrated performers in punk today!

Klavo Klavo demo cassette

Sound and solid working class hammers from Berlin newcomers KLAVO. This is the first release from the four-piece, and it’s a good one. The band’s musicianship is worth noting, pulling heavily from old pub rockers ROSE TATTOO, as well as COCKSPARRER. “No Good Ones” is a fucking banger of a song.