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AQUARIUM by Martin Sorrondeguy

MRR Radio #1579 • 10/15/17

Strace and Strayla vote MITCH CARDWELL for President of Punk.  Intro song: AQUARIUM - Human Current Sounds from the New Bins MR. WRONG - ...

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Secreto Público

MRR Radio #1578 • 10/8/17

Matt is joined by Ben and Claudia for just another hour of the best new punk and hardcore worldwide! Intro ...

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Maximum Rocknroll #414 • Nov 2017

Are y'all ready for Maximum Rocknroll #414? Our November 2017 issue will teach you a thing or two all about ...

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Flipper rules, OK?

MRR Radio #1577 • 10/1/17

Phillip Greenlief spent an afternoon in the stacks. This is what he came up with. BAD RELIGION - You Are the ...

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Jackal (photo by Zack Rogers)

New Blood! ESCØRT, WITCHTRIAL, JACKAL, VANTA, and UNIVERSAL PEACE

“New Blood” is our weekly feature spotlighting new bands from around the world! See below for info on how to submit. Now, ...

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Record of the Week: MORBO De Baja Calidad LP


September 29th, 2011 by

So stoked to see a full length from this Peruvian punk band, who I first noticed on the BRUTALES MATANZAS compilation also on the Cintas Pepe label. The first track reminds me of my favorite song by SORELLA MALDESTRA with the robotic effect filtered vocals at the beginning. This the sound of really early punk with some slightly fuzzed out basic guitar leads and mid tempo drumming and a bass that follows the drums building a solid rhythm section. The songs are reminiscent of a lot of REVOLUCION X, specifically in the vocals and in the sentiment of “I’m Making My Future With the Border Patrol,” but not in speed or the “tuca-tuca” drums of the aforementioned band. This band argues that good punk is really good rock’n’roll, and any track on here could be on the Solo Para Punks comp from Mexico on Cobra discos — I mean in quality, sound, lyrics, song structure… In other words, this sounds like old punk, more informed by los SAICOS than LEUSEMIA as far as Peruvian comparisons, yet still very original. The lyrics are snotty, pissed and political, in a funny “fuck you” and rudimentary way. MORBO is obnoxious and fresh while still being able to harness the spirit of creativity, regardless of skill, that old punk is so amazing for. So fucking good, pretty crazy, and totally fucking punk. Primordial punk… If you don’t get it, you are a chump. (Cintas Pepe)



Monday Photo Blog: Return to Indonesia


September 26th, 2011 by

Of any country besides the US, Indonesia is probably the best represented here on MRR’s Monday Photo Blog. We get a steady stream of submissions from Indonesia photographers. Today’s came back in June from A. Okhi Irawan, a longtime MRR reader. Most of these photos are from the early ’00s “where the Indonesia’s despotic goverment change into reform age, and re-shape how punks movement during that age.”

Thanks for the photos  A. Okhi!

Aldhonny Themfuck of JERUJI (Bars, in English) at Laga Pub collective, from Bandung, Indonesia's 2003-2004 (photo by A. Okhi Irawan)

Don Kumbang (from Don Lego) and the kids at a collective/d.i.y gig held in Bandung, 2003-2004 (photo byA. Okhi Irawan)

 

Mario Butche, founding member of the Grinding Punk Corporation community during his gig with the legendary grinding-punk based band, The Cruel, 2003-2004 (photo by A. Okhi Irawan)

Ari Ernesto (founding member of Domestik Doktrin, Hark! And the crawling tar tar) at Uninus gigs in Indonesia, 2003-2004 (photo by A. Okhi Irawan)

RAMBO (from the Philladelphia) at Indonesia's Universitas Islam Nusantara, 2003-2004 (photo by A. Okhi Irawan)

Send your tour photos, bands that have come through your town, the best of your local bands, etc. to: Include your name, the band, where and when it was shot, and a link to your website (or flickr, Facebook, or whatever). Just send your best photos — edit tightly. Three to five photos is plenty, and it’s best to send pictures of different bands. Please do not send watermarked photos. We like to exercise a little quality control here…not everything sent in will be posted. Please make your photos 72 dpi and about 600–800 pixels at the longest side. Thanks!



MRR Radio #1263 • 9/25/11


September 25th, 2011 by
Play

MRR Radio is a weekly radio show featuring the best DIY punk, garage rock and hardcore from the astounding, ever-growing Maximum Rocknroll record collection. You can find the MRR Radio podcast, as well as specials, archives, and more info at radio.maximumrocknroll.com. Thanks for listening, and stay tuned!

THUS WEEK: Fred, Langford and Peter stumble through an attempt at radio broadcasting. Punk rock, bad jokes, and other nonsense. Getting ready to fuck some shit up? Listen to this show to get pumped. Let’s go break some fluorescent light bulbs in the alley!

Play

Thomas Jefferson Slave Apartments

Intro song:
CRISIS OF CONFORMITY – Fist Fight

Fred – Records That Destroy
ARCTIC FLOWERS – Double Edged
SURRENDER – Crucified
GOD EQUALS GENOCIDE – We Speak for Ourselves
1981 – Controlled by the State
LIBYANS – Anyone Can Do It

Langford – These Are Some Records (That I Like)
DEATHRATS – Give Up
KROMOSOM – Fallout
THOMAS JEFFERSON SLAVE APARTMENTS – Burning Trash
OVENS – Let Down
TRAITORS – Fuck You, I’m a Cop

Pete Has Been Drinking Since Like 1PM Today
THE MICE – Just Like Brick
STRAWMAN – The Order
TINA, AGE 13 – Sunday Morning
HOT SNAKES – LAX
BROKEN WATER – Faux King Vogue
NATIVE NOD – Back to Mimsy

Outro song:
BED WETTIN’ BAD BOYS – Nobody Else



Record of the Week: CONTRA TODOS MIS MIEDOS Colera EP


September 24th, 2011 by

MRR HQ is located in San Francisco a few blocks from where the Saint John Coltrane African Orthodox Church used to be located—a church that was centered around an explosion of spirituality and free jazz. While John Coltrane’s avantgarde cutting edge has dulled with the recognition of his more traditional material as breakthrough classics of the genre, leading to mainstream acceptance, his experimental free jazz period is something that still remains challenging. It’s as much about Coltrane’s movement through the experimentation as a listening experience, it seems to never necessarily arrive at its destination, which is kind of the point. Chilean hardcore band CONTRA TODOS MIS MIEDOS (“Against All My Fears”) features a cropped close up of Coltrane’s image from the Blue Train LP on the cover, and while the music is stellar QUICKSAND/ REFUSED styled hardcore—and worthy of checking out alone if those points of reference prick your ears—it solidly delivers a relatively stable set of ideas. The relation to the core of ideas of Coltrane that warrants appropriating his image for the cover isn’t really evident. The title of the EP translates to rage, and while Coltrane’s music was moody, anger was never really the core of its impact in the same way you think of anger being a central focus of punk music. Coltrane died in 1967, nine or ten years before the punk explosion of the ’70s, and at the nascent steps of Michigan ’60s punk like the STOOGES and MC5, that at their most experimental were taking influence from the expansion of music simultaneously being forwarded by free jazz. The relation to hardcore might simply that this type of posi-hardcore that’s reaching for a broader meaning is also reaching to find that deeper, spiritual core beyond just existing as a pure musical experience. I can only infer that with no translations in English for the band’s lyrics or to the lengthy notes on the sleeve aside from a footnote to Karl Marx (!)—the one diatribe in English in the recording is near nonsensical. This EP is however, an impressive marked jump in delivery, playing and recording values from their 2008 XXVII LP. The guitars are free to jump around, crush and solo wildly on the flange, while segmented, crunching, lumbering break downs and harsh shouted vocals give the EP an intensity like the best of the ’90s bands of this style. Weighed on one scale it’s a quite experimental deviation from the one-two-three punk rock, but in tacking itself to one of the creative geniuses of modern music, I kept waiting for it jump off the deep end like Ascension or Om… Go for it you wild Chileans!!!! Bring out the harp, chimes and alto sax and combine that with QUICKSAND and FARSIDE!!! Overall good EP, limited to 560 copies. (Amendment Records)

Review by Ken Sanderson, taken from the latest issue of MRR — available HERE.



RIP Dylan Williams of Sparkplug Comics


September 22nd, 2011 by

Dylan Williams passed away on September 10, 2011 from complications due to cancer. He was 41 years old. Dylan was a cartoonist, a comics historian, co-owner of the Portland-based DVD/bookstore The Bad Apple, and founder of Sparkplug Comic Books publishing.

Sparkplug introduced a new style of business into comics culture; one that managed to meld comics purism with punk ethics and provided a home for developing young artists and old weirdos alike. Dylan’s consistent focus, and the catalyst for starting a publishing company in the first place, was to put out work that he loved and felt deserved a wider audience. Publishing based on sentiment rather than on perceived market demand may not be seen as the best business model, but Sparkplug was successful by consistently being a community presence and by releasing some of the most interesting books in independent comics. Dylan cared about the work foremost and truly wanted what was best for the artists he published. To gain some insight into the profound effect that Dylan had on others, one only has to turn to the dozens of personal tributes posted in every corner of the internet since his death: Austin English, Zak Sally, Olga Volozova, Aron Nels Steinke, Sophie Yanow, Landry Walker, Gabby Schulz, Comics Journal, Comics Reporter

Dylan was a person who was surrounded by love and his goodness was acknowledged and celebrated while he was here. He leaves behind his wife, Emily, his family, and many friends. I feel lucky to have known him and will miss him.

At the time of this writing, it appears as though Sparkplug will continue to operate. Please support them by buying comics: www.sparkplugcomics.com

“The thing is, if people are going to exclude you then fuck them. Do it your way. And if you are ever in the position to exclude others, try not to. Encouraging people is like the greatest feeling in the world. It gets rid of all that selfish shit that just ends up hurting everyone. I mean, don’t get me wrong, I’m a bitter old asshole but I feel like I fight it at every turn.”

—Dylan Williams (from an interview on Jason Miles’ Profanity Hill website)