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Monday Photo Blog: Carlos Idrovo

  • Published February 3, 2014 By Matt Average
  • Categories Photos

Carlos Idrovo, from Ecuador, checks into the  Monday Photo Blog with photos from the Eutanasia (PerÁº) tour that went down in early January. These shots, with the interesting lighting, were taken at the HTM House in Quito, Ecuador with locals RxAxTxAxSx and Desalmados. A little dinner party trivia for you; Quito is the highest capital city […]

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Create to Destroy! Max of Eat The Life

  • Published January 29, 2014 By Amelia
  • Categories Interviews

Max and I crossed paths somehow around 2010.  I always liked the mix tapes he mailed me on the reg, and we’ve done a few mail trades (yes, punks still do that). His zines, label, and devotion to punk have an idealist quality that is refreshing and inspiring. His attitude about releasing punk and supporting […]

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Monday Photo Blog: AndrÁ© Agurto

  • Published January 27, 2014 By Matt Average
  • Categories Photos

Let’s go down to Lima, PerÁº for this Monday Photo Blog with André Agurto. Some up close action capturing the happenings in the crowd, as well as the stage. For more from André, check out his Facebook here. Send your tour photos, bands that have come through your town, the best of your local bands, etc. to: […]

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MRR Presents: Friday Fuckin’ Funnies!

  • Published January 24, 2014 By Funnies
  • Categories Comics

It’s Friday Fuckin’ Funnies — the best comix section on the whole interwebs! Each Friday we have a selection of comic strips from punx like you… You make funnies? Send em to funnies@maximumrocknroll.com and maybe you’ll see yer comic here next Friday! NOTHING MATTRESS by Brian Connolly! More at www.nothingmattress.com and facebook.com/nothingmattress Richie Bucher presents… […]

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Record of the Week: NEGATIVE STANDARDS/WHITEHORSE split LP

  • Published January 23, 2014 By Robert
  • Categories Reviews

Oakland’s NEGATIVE STANDARDS turn in their best slab yet for this split. Despair-laden ambiance and a welcome return to the effective use of samples (an art seemingly left in 1998) crashes headfirst into a full frontal downtuned assault that puts absolutely everything on the table. Their power is in their diversity—both within tracks and between […]

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