Reviews

Seth McBurney

Morwan Vse Po Kolu, Znovu LP

MORWAN began as a solo project by Alex Ashtaui in Kiev, Ukraine around 2019, but now MORWAN is a full band out of Berlin with Alex at the helm to guide the band into the darkest and heaviest post-punk territory ever to be explored. Their new album Vse Po Kolu, Znovu is an emotional journey through inspirations, ranging from things that sound like KILLING JOKE and MINISTRY to noisy psych rock à la OH SEES. The guitar work on this album is really cool with its maximum-velocity plucking that is very surfy but also very rhythmic at times, and with its droning repetition, the sounds begin to distort in your mind as other influences emerge. This album would be perfect for a winter night while watching snow fall, especially the epic, nearly eight-minute closer “Не чекай” as it enters a shoegaze/post-hardcore realm.

Bezette Stad F.A.N.O.N. 12″

Belgian hardcore band BEZETTE STAD has been releasing music for about five years now. Their latest release F.A.N.O.N. is a six-song 12″ that explores our contemporary global scenario with articulate hardcore blended with D-beat, as if PAINT IT BLACK started hanging out with DISCHARGE. From the bass-heavy opener of “Reform” to the metallic pummeling and digital glitching in closer “28 Days” the F.A.N.O.N. 12″ is six slices of hardcore hellion heaven, and you need to put it in your ear holes posthaste.

Sakura Violencia flexi EP

The three-song Violencia flexi was created by four-piece Las Vegas band SAKURA, and it fucking rips! Drawing heavily upon the extensive sound catalog of Japanese hardcore, SAKURA melds noisy, terminal velocity punk into songs that immediately call to mind other things that rip, like RESIN’s 2021 Pot Overdose or DEAD CITY’s 2022 Banned from L.A. What I’m saying is that if you’re into that punk crudo that makes your inner ear feel like a kick drum, or when feedback sounds like an M-80 in a bowl of Rice Krispies, then you’re going to want to pick this one up.

Misere Misere 12″

MISERE is a new band out of Berlin who recently released their inaugural recording. Their self-titled 12″ is etched with seven tracks of gloom-laden post-punk that frequently borrows from proto-goth. Groove-riding bass lines, angular guitars, and shuffled, mid-paced drumming makes MISERE easily danceable for all the party bats out there. If you like XMAL DEUTSCHLAND, then absolutely check out MISERE.

Whipping Boy Dysillusion: A Muru Muru Remix LP

The Dysillusion LP issued by Blackhouse Records is an intriguing reissue/remix of WHIPPING BOY’s 1984 seminal album Muru Muru. If you’re unfamiliar with WHIPPING BOY, that’s okay because they were a niche band in Southern California during a time when bands were ubiquitous. Muru Muru was originally recorded by the DEAD KENNEDYS’ Klaus Flouride while Dysillusion is remixed by Grammy winner Joe Chiccarelli and remastered by John Golden, each having extensive histories working with noisy post-hardcore mega-acts like the MELVINS and SONIC YOUTH, respectively. In reality, Dysillusion is a refined reworking of Muru Muru with a better instrument-to-vocal balance. WHIPPING BOY still shines through with their hauntingly dark take on hardcore/post-hardcore. Their riff-layered, abstract take on the heavy music of their day remains fresh, with Eugene Robinson’s vocals coming through with a soft but fervent croon. Dysillusion is absolutely worth checking out, especially tracks like the gothic “Myster Magi” and the bluesy closer “Junkman,” and if you’re a mega music history nerd, then you’ll probably find the original recorded banter between the band and Klaus amusing.

Ameretat Ameretat 12″

AMERETAT is formed by members of the Iranian diaspora who use their shared culture to influence their hardcore. AMERETAT uses the chaotic delivery of later anarcho-punk hitched to international hardcore, with the resulting sound reminding me of something between GEHENNA and DYSTOPIA. In fact, the second track, “Marg-e ye Doktor (Death of a Doctor),” has a very INTEGRITY-like style of delivery. Their self-titled 12″ album is an eight-song journey that blends rage with despair, surging punk with plodding metallic breakdowns, and an extensive view of the world that westerners will never know. If you haven’t given AMERETAT a spin yet, then you need to immediately.

Láz Lassan Átjáró Zavar cassette

A couple years ago, I wrote a review of Hungarian punks HALOTT KÍGYÓK. Little did I know at that time that HALOTT KÍGYÓK was in the process of dissolving and LÁZ was being conceived. LÁZ pushes the limits set by their previous band while remaining within its architecture, so the resulting sound has more post-punk structure and hardcore punk swagger. Petra’s vocals are often reminiscent of LYDIA LUNCH, especially when the band enters a moment of jazzed-out, no wave drone. The band themselves cite SACCHARINE TRUST as an inspiration, and that comes through frequently as well. The eight-song Lassan Átjáró Zavar cassette is well worth a listen, and is currently one of my obsessions.

The Burrow Dance Dance Revolution / Like Real Liberty cassette

The BURROW out of Eugene, Oregon issued this two-track cassette a couple months back, with proceeds going towards aid agencies in Gaza. “Dance Dance Revolution” is a melodic, mid-paced Oi!-inspired tune that is easily a sing-along, while “Like Real Liberty” uses a grittier guitar tone and espouses a slightly heavier inspiration. Both songs kind of have that BYO Records vibe from circa Y2K, but with a contemporary emotional tint.

Neypa Neypa cassette

If you like furious, absolute rage-fueled hardcore, then you’ve got to check out NEYPA from Greece. Even the instrumental opener of their self-titled cassette sounds pissed-off. This three-piece tears through eight songs with the virtuosity of warriors and an impossibly dense delivery. Warp-speed guitars, intriguing breakdowns, and intense vocals make NEYPA a true hardcore unit. The song “ΦΩΤΙΑ ΣΤΑ ΣΑΛΟΝΙΑ ΣΑΣ” goes crazy and has a cool doom-inspired riff in the middle—seriously, just go check NEYPA out.

Brigada Subterránea Brigada Subterránea cassette

BRIGADA SUBTERRÁNEA from Santiago, Chile released this self-titled cassette over a year ago, but it still hits with a fresh dose of dark sound that is as much gothic punk as it is Oi!-inspired street punk, and it fucking rocks. The combo of overdriven, chorused guitars and gravelly vocals is great, but BRIGADA SUBTERRÁNEA also throws in some Tresillo rhythm and an incredibly intricate approach to song structure. This nine-song cassette is an absolute must-listen.

Las Ánimas Del Cuarto Obscuro Las Ánimas Del Cuarto Obscuro 12″ reissue

LAS ÁNIMAS DEL CURATO OBSCURO formed in Mexico City in the latter half of the 1980s. Although short-lived, the band, through earlier adoption of post-punk and gothic rock, inspired a burgeoning underground of dark rockers. Originally released in 1988, the eight-song full-length Las Ánimas Del Cuarto Obscuro was self-released and distributed by the band. However, now in 2025 it is available for international purchase through the wonderful humans at La Vida Es Un Mus. This lovingly reproduced 12″ captures the gritty, cool swagger of LAS ÁNIMAS DEL CURATO OBSCURO with perfect accuracy. Guitar riffs that drift into focus and fall away, synthesizers that scream with intergalactic melancholy, and a tight, danceable rhythm section form songs that are constantly shifting jams. All this variety is crystalized into structure through lyrical themes that capture the various aspects of a relatable disaffected adolescence. In total, Las Ánimas Del Cuarto Obscuro is an astounding listen from start to finish.

Zevk Zevk demo cassette

This might be my favorite demo tape of 2025. ZEVK out of Paris plays hardcore punk with a downtuned bent that lends a dark, contentious flavor to their sound. The four-song demo opens with “Bomboş (All Empty),” a sub-two-minute opus that shifts in delivery with blindingly fast momentum. The closing track “Dykes Trans & Queers” is a treatise on the emotional struggle related to self-identification in a society that favors heteronormative homogenization and how that struggle influences one’s opinions back towards their oppressors. All that is delivered in two minutes over thunderous rhythms and shredded guitars. If this is what ZEVK is capable of, then I’m eagerly waiting for more.

80 Billion Animals 80 Billion Animals cassette

80 BILLION ANIMALS play anarcho hardcore with desperately urgent vocals that range from spoken word to frenzied screams and articulate lyrics pertaining to animal liberation, police and state repression, the corporate war machine, the genocide in Gaza, and other topical issues. Instrumentally, 80 BILLION ANIMALS is an enjoyable rollercoaster with quick shifts, jacked-up riffs, and chugging bass. There are moments that remind me of BEHIND ENEMY LINES or some early R.A.M.B.O., albeit with more grime and finesse. This self-released cassette is opened and closed with poetic spoken word and is packed with edifying jams that are sure to keep you inspired during the present madness, so definitely check this out.

Decade / Wolfcharge split LP

DECADE and WOLFCHARGE combined to bring a fourteen-track split 12″ full of high-grade D-beat. DECADE plays an exceptionally raw and noisy breed with a strong focus on ANTI-CIMEX inspirations, while WOLFCHARGE plays a brute force DISCHARGE blend. If you’re a D-beat aficionado, then you probably own one (or several copies). My honest impression, I love the music, but kind of hate the album cover.

Pure Terror Ehteram إحترام EP

PURE TERROR, New York City’s pan-Arab hardcore band, is back with the Ehteram إحترام EP. This four-song record is filled with raw NYC punk, but with a distinct flavor. If you didn’t catch the PURE TERROR cassette that was released a couple years ago, then now is your chance to check this band out. I’m currently obsessed with the third track entitled “No Compromise” and its shifting guitar riffs over whirlwind tempos. PURE TERROR features Nader of HARAM and a crew of gifted musicians who have managed to create some of the most abrasive (and thereby loveable) punk to exist.

Poison Tribe False Narrative EP

POISON TRIBE out of Denver has released a couple of cassette recordings over the past few years, but this summer, they decided to release their first proper vinyl 7″ entitled False Narrative. On this five-song EP, we find POISON TRIBE offering a refined version of their signature crusty hardcore sound. Instrumentally, somewhere between DISFEAR and NASUM—POISON TRIBE uses a call-and-response, dual-vocal approach which creates a dynamic lyrical presentation. If you dig grindy guitars, shredded vocals, and a terminal velocity rhythm section, then you must absolutely check this out.

Não Obrigada LP

International punks NÃO, stationed out of Bremen, released a killer demo two years ago, and returned to the studio to record the full-length Obrigada. Eleven songs of noisy, speedy D-beat rocket from this recording with screaming guitars, thick bass, and cyclone drums. With members that include alums from VITAMIN X, ZANJEER, and INFERNO PERSONALE, it’s no wonder how NÃO is able to play with such power and precision. Heavy influences of GBH and KURO come through frequently with the guitar work, occasionally reminding me of ENZYME. Needless to say, the Obrigada LP by NÃO is absolutely recommended listening.

Skeptis Demonstrasi Oleh cassette

SKEPTIS is from Bandung, Indonesia, and this five-piece plays some gnarly and innovative anarcho hardcore on this four-song cassette. Raw hardcore transitions into intergalactic distortions which eventually emerge as synth work that quickly joins the melee. The nearly six-minute-long closer blends dungeon synth with noisy field recordings to create a fascinating yet anxious atmosphere which provides a glimpse into the world of SKEPTIS. The pogo-punk purists may want to pass on this release, but the rest of us will thoroughly enjoy this sonic experience.

Denevér Economía Doméstica LP

DENEVÉR is a duo out of Budapest harnessing the power of electronics to create complex, raw post-punk that occasionally toes the line of darkwave EDM. After consistently releasing material for the past few years, DENEVÉR decided to release the emotive and layered full-length Economía Doméstica. This eleven-song album uses everything from sampled audio, distorted synthesizers, overdriven drum machines, and noisy instrumentation to create an atmosphere that is on one hand reminiscent of ’80s-era new wave, and on the other is approaching post-hardcore. Emotionally heavy, Economía Doméstica is anguished, urgent, and melancholic while exploring a complex and shifting sonic space. The vocals are often delivered in unison by the duo which provides a sort of power behind the lyrics. Definitely check this out when you’re in the mood for something a little different.

Crow People Wasteland: Recordings 1985–1994 2xLP

Until now, CROW PEOPLE has been a band veiled in obscurity and almost lost to the sands of time. Formed in Doncaster UK in 1979, CROW PEOPLE released several discs during their tenure, but remained a lesser-known act due to geographic isolation and limited pressings. The double disc Wasteland: Recordings 1985–1994 is a tidy package of almost every song recorded by CROW PEOPLE and filled with historic documentation of the band. This collection provides an extensive experience of the band whose sound started as jangly, BUZZCOCKS-inspired post-punk but evolved into powerful anarcho-rock that sounds a lot like KILLING JOKE or AXEGRINDER. The first few songs of this collection have hints to the future sound of the band as the distortion pedal launches a crunchy guitar lead through the midpoint of the individual tracks. However, by the fifth song “Ambition,” it becomes evident that CROW PEOPLE is headed for a much heavier direction. Most of the songs are longer than your typical punk tune, and this allows for CROW PEOPLE to explore rhythms and riffs with a bit more depth. If you’re into ZOUNDS, AMEBIX, and the MOB, then you’ll absolutely want to check this out.

Canteleu Canteleu cassette

The city of Lille is a working class metropolis in northern France near the Flemish border. Aside from being the location of this year’s Tour de France Grand Départ  it’s also home to goth punks CANTELEU. Late in 2024, CANTELEU released their inaugural self-titled EP and effectively laid down some of the best goth tracks ever to be recorded to tape. This three-piece whipped out five originals and a cover of Q LAZZARUS’s “Goodbye Horses,” with delightfully heavy synths, pounding beats, and urgent vocals that immediately conjure memories of French compatriots and punk legends EDITH NYLON and MÉTAL URBAIN. However, there is a dark, melancholic bent to CANTELEU that comes out with pop-infused howls and is accurately dubbed “Coal Wave” (as the north of France is its coal region), as CANTELEU brings a wave of chilling, dance-ready energy. If you’re struggling to maintain an icy cool demeanor during this hellscape of summer heat, then I’d suggest giving CANTELEU a shot.

Krigssystem / Smog split EP

Two tracks by SMOG, four tracks by KRIGSSYSTEM, all absolutely DISCLOSE-dosed. I dig the two tracks by SMOG as they walk the fine line between raw D-beat and full-on noise, while I like the KRIGGSYSTEM tracks as they embrace the noise nearly entirely but still manage to push adrenaline-inducing punk. Limited to a pressing of 300, this record is sure to sell out fast.

Décima Víctima Un Hombre Solo LP reissue

DÉCIMA VÍCTIMA was a Spanish post-punk band from 1981–1984, and Un Hombre Solo is one of their last recordings. Un Hombre Solo is a ten-song album that merges Spanish guitar style with the flanged repetition of post-punk to form a basis for crooning vocals reminiscent of JOY DIVISION, but with a decidedly Spanish swagger similar to SINIESTRO TOTAL. It’s a similar energy to PARALISIS PERMANENTE, and DÉCIMA VÍCTIMA should be considered a basis for Spanish dark punk or the “dark sound.”  I’m infatuated with the long moments of quasi-psych-rock-inspired instrumentation that seem to pop up sporadically throughout this album and lend a sort of hard-to-describe but very distinct flavor to the proceedings. Munster Records has lovingly preserved Un Hombre Solo and presented it with only minor improvements to the album art per the band’s request, so the packaging has a fresh but also archival feel.

Hekátē Μαύρη Τρύπα LP

HEKÁTĒ out of Athens, Greece recently released their second full-length album, entitled Μαύρη Τρύπα. Dark-tinged instrumentals support vocals that occasionally remind me of KLEENEX/LILIPUT. Synth work drives this album, with the tones ranging from traditional organs to unhinged vintage futurism. However, HEKÁTĒ came to rock, and with tracks like “Tears of Blood” and “Riccochet,” HEKÁTĒ uses a heavy dose of bass in their rhythm section to get the toes tapping. Lyrically, HEKÁTĒ pulls no punches and delivers social criticism through an anarcho-punk lens, with about fifty percent of the lyrics being in English and the rest in Greek. In all, Μαύρη Τρύπα is stacked with punk bangers and contains enough “off-the-beaten-path” experimentation to make it something really special.

Kylmä Krypta Kylmä Krypta cassette

Finnish/German band KYLMÄ KRYPTA calls Hamburg home, but is inspired heavily by the icy northern country of boreal forests and saunas. Finnish lyrics are delivered over song structures that are similar to an overdriven MUSTA PARAATI, and the whole production comes out sounding punk as fuck. Not the heavy-handed, metallic-toned crust that is currently rounding the circle pit, but a breed of punk that is more apocalyptic while maintaining a sound built out of more traditional rock’n’roll. It’s kind of like EASTERN SYNDROME out of Berlin, who put out a bomb-blast of a cassette EP two years ago. If you don’t understand what I’m yapping about, then imagine VICE SQUAD teamed up with 45 GRAVE, ditch the surf rock, and you’ll be almost to the concept of KYLMÄ KRYPTA.

Electric Chair / Physique split LP

For the uninitiated, it is helpful to begin this review with a bit of lore. ELECTRIC CHAIR and PHYSIQUE share a similar origin story, having begun at roughly the same time and both in the city of Olympia. They’ve shared members, lived together, played together, partied together, and in general terms, are besties. To cement their long-term friendship, they conceived this split LP, which honestly is perhaps the best punk split to ever exist. Each band plays five songs on their respective side, with ELECTRIC CHAIR bringing their JERRY’S KIDS/POISON IDEA-styled hardcore punk and PHYSIQUE offering up their FRAMTID/GLOOM-infused noisecore. The whole thing is packaged and presented by Iron Lung Records and mastered by Shige Noise Room, so the  LP is deliciously noisy and absolutely glorious when consumed at maximum volume. You may end up having a favorite side, but for me, this split delivers a complete package from end to end, with both bands presenting their best material and in turn creating a landmark recording of contemporary punk. It’s honestly that fucking good.

Vampire What Seems Forever Can Be Broken LP

Since reviewing Pomegranate Seeds: An International Benefit for Mutual Aid in Gaza, the compilation put out by the DISSIDENTS, I’ve been hunting for more VAMPIRE material, so when I saw I was assigned this LP I became very excited. VAMPIRE is an Australian band that plays apocalyptic anarcho-punk. A sense of extreme urgency pervades VAMPIRE’s sound, and What Seems Forever Can Be Broken is ten songs that combine the demanding hardcore of CONFLICT, with a foundation of CRASS, and the rough-hewn delivery of raw punk. The resulting album is dark, hauntingly mesmeric, but also aggressive with a sense of communal voice. In other words, this is anarcho-punk that is of the moment, and articulates exactly what contemporary punk is about without being preachy or elitist. This is that eye-to-eye, in-the-trenches vocalization of criticism that comes off as eye-opening and perspective-altering. What Seems Forever Can Be Broken is by far my favorite release thus far in 2025, but also might be the best album I’ve heard in a really long time. Like, this is benchmark-level material, so definitely give this a listen.

Cold Summer Altlasten EP

Feedback-drenched and frost-covered, COLD SUMMER from Leipzig combines post-punk and hardcore into a ferocious and icy presentation on the Altlasten EP. Moments of otherworldly, atmospheric sounds intersperse the hardcore that is of the variety that gives you goosebumps but also makes you want to dead-eye motherfuckers with cool confidence. The vocals push the limits of vocal cord strain as they scream with passionate but melancholic precision and deliver the lyrics in German. The final song on this four-song disc is entitled “Keiner ist Mehr Da,” and with its pumping bass, drifting lead guitar, and innovative tempo changes, it comes off as refreshing and invigorating. Sporadically and for only the briefest of moments, I catch a combination of sounds that recalls post-hardcore from a couple decades ago, so there is a sense of familiarity within Altlasten. All in all, I’d recommend everyone give this one a try.

Sistema Obsoleto Esmagado Pela Engrenagem Capitalista EP

SISTEMA OBSOLETO is a D-beat band from Macedonia, whose lyrics are in Portuguese, and their sound is inspired by ANTI-CIMEX. On the five-track Esmagado Pela Engrenagem Capitalista EP, SISTEMA OBSOLETO blasts through with impossibly swift rhythm shifts while buzzsaw guitars and rage-filled vocals conspire to create a whirlwind of hardcore punk. “Alucinação Consensual” picks up at the midpoint of this 7″ and is an absolute specimen of D-beat with screaming guitars, pummeling drums, and chugging bass. The closer “Ideias Venenosas” is a bit more mid-paced with its slight Motör-swagger, but the vocals and harsh instrumentation drive it into an anguish-ridden, blackened opus that clocks in at over three minutes and is the longest song on the EP. The whole disc is only around eight minutes in length, so you’ll definitely be replaying it, and is available through Neon Taste Records.

Phobophlyptix Phobophlyptix LP

Holy shit, PHOBOPHLYPTIX fucking rips! The Los Angeles-based thrash metal crossover band also uses an equal amount of grindcore influence, and the entire package comes out sounding brutal, vile, and captivating. Old school sent through the modern meat grinder renders a ten-song, single-sided 12″ that is over before you know it, and rocks so hard that you’ll be replaying it for the entirety of a day.

Amerol Amerol demo cassette

This world is shit, and AMEROL is the cure. Side effects may include: inability to control bodily movements, tinnitus, and profuse sweating. AMEROL, from Perth, plays ’80s-inspired hardcore punk and reminds me of SOOKS, but with a bit more ferocity and grime. The demo includes six tracks that are nasty, dirty, and packed with quick, intricate twists.

Barren? Once Upon a Death… Our National Industry LP

BARREN? is a Parisian anarcho-punk band that has been playing and recording together for nearly a decade. Recently, the band released the full-length Once Upon a Death… Our National Industry—if you like things like the MOB circa No Doves Fly Here, you’ll definitely dig BARREN? Much of the album contains the band’s signature mid-paced style which allows for additional elements of expression and denser compositions. An embrace of the darker elements of anarcho-punk means BARREN? also uses elements of goth and post-punk, and this is on full display in tracks like “Take Them By Storm” and “Our Brains Are a Warzone.” Frequent use of harmony and gang vocals also gives many of the songs an anthemic quality which tempers the melancholic elements. In all, Once Upon a Death… Our National Industry is an exceptional release from an excellent band.

Deformed Existence / Vitriolic Response split EP

Attention all followers of crustcore: the DEFORMED EXISTENCE / VITRIOLIC RESPONSE 7″ split is truly something special. DEFORMED EXISTENCE from Japan and VITRIOLIC RESPONSE from the UK both play a style of crust, but when presented in a split format, their unique spin on the subgenre is evident. DEFORMED EXISTENCE plays two songs on their side of the disc, with both tracks bringing deep bass rumble and a full-throttle delivery. VITRIOLIC RESPONSE recorded three songs for the split, with their style carrying a more frenetic, streetwise D-beat sound into the crust. Both bands serve noisy, breakneck metallic punk in a way that harkens back to an earlier time, while the lyrics deliver current and crucial messages. This split is presented in cooperation by a host of international punk labels, and with its double-sided, fold-out sleeve, it really is a complete living artifact of global punk expression.

偏執症者 (Paranoid) MMXXII LP

偏執症者 (or PARANOID) is the definitive Swedish hardcore punk band for our contemporary ears. With the owner/operator of D-Takt & Råpunk Records, Joakim Staaf-Sylsjö, as their leader, 偏執症者 creates blistering guitar leads, full-speed D-beat blasts, and heavy chug sessions. MMXXII was first released a few years ago as a digital album, but now thanks to Beach Impediment Records out of Richmond, Virginia, physical copies can easily be had. Complete with artwork by Joe BB on the cover and an exceptional fold-out poster, this issuance of MMXXII is definitely something special.

Karma Sutra The Daydreams of a Production Line Worker LP reissue

For the uninitiated, KARMA SUTRA was an anarcho-punk band from the Crass Records era, and they released a limited amount of original recordings. However, due to the cult of CRASS, KARMA SUTRA has had a few reissues of their material through the years, and for good reason. KARMA SUTRA emerges from the anarcho-punk scene with a sound that is reminiscent at times of KILLING JOKE, but also demonstrates the pop-infused post-punk of bands like THATCHER ON ACID and NED’S ATOMIC DUSTBIN. In other words, you have aggressive, dark punk blending with world music, primitive synth and drum machine work, radio field recordings, and lengthy melodic excursions. The Daydreams of a Production Line Worker is absolutely one of those albums you have to put on and sit with, as it is a constantly shifting sonic adventure.

Bosonogo Djetinjstvo Diskografija cassette

BOSONOGO DJETINJSTVO was a Croatian anarcho-hardcore band which only existed for a couple of years, but in the short time between 2013 and 2016, they recorded some killer tunes. However, the band broke up and those songs were shelved for nearly a decade. Now, thanks to Doomtown Records, we have the Diskografija cassette, a twelve-song collection of mostly unreleased material by BOSONOGO DJETINJSTVO. Blasts of surging hardcore mingle with extended riff-heavy jams to create a sound that is simultaneously diverse but also familiar. If you like REFUSED or maybe ZEGOTA, then BOSONOGO DJETINJSTVO should absolutely be in your scheduled listening.

Self Prison Self Prison cassette

Deep in the Caucasus region of Eastern Europe, Tbilisi sits as the cultural and population center for the country of Georgia. The culturally rich city of Tbilisi is also where SELF PRISON calls home. SELF PRISON is a four-piece raw hardcore band whose five-song self titled cassette is full of anguish-laden vocals and fascinating instrumental runs. If you’re not hooked on SELF PRISON by the gritty guitar riff on the intro track, then I give up trying to convince you.

V/A Pomegranate Seeds: An International Benefit for Mutual Aid in Gaza cassette

I love punk compilations that offer a huge variety of subgenre sounds, and Pomegranate Seeds: An International Benefit for Mutual Aid in Gaza does not disappoint. Pomegranate Seeds is, in fact, packed to overflow with some of the best tracks from bands like DISAFFECT, WET SPECIMENS, SYNDROME 81, GUERRA FINAL, OMEGA TRIBE with D.O.V.E., and a bunch more. Pomegranate Seeds was created by Philadelphia’s the DISSIDENTS, and is a fantastic assortment of punk rock that flows smoothly between hardcore to jangly garage and to everywhere else in between. I was pleasantly surprised by AMUSEMENT and “Standing on Top of the A Bomb” and VAMPIRE with “Evidence,” and at the end of it all, that’s what punk compilations are about—finding new bands that kick ass.

Shatter Deny the Future EP

SHATTER has become known for their hybrid style of hardcore street punk and Japanese-influenced D-beat; the twinning of anthemic and technical. Deny the Future is a four-song EP recently released through Desolate Records, and each song is a speedy rip of SHATTER’s hallmark style. Breakneck tempos fused with nearly impossibly tight riffs lay the foundation for urgent and crucial lyrics. I also really appreciate the graphic style and presentation SHATTER employs and Deny the Future provides. If you’re a punk, then you should probably already own this one.

Pisse Dubai LP

If you are unfamiliar with PISSE, well, here’s a quick rundown.Out of Wittichenau, Germany, PISSE started as Germany’s darlings of garage punk over a decade ago. Time, side projects, and collaborations have mutated their sound into some of the best punk to exist in our current time, with their Dubai LP bringing in elements of art-punk, world music, no wave, and an absolutely unhinged aesthetic. Within the first three songs of this ten-track album, you’ll be treated to samba-like rhythms, bouncing synth punk, and demented circus melodies. All that is just the beginning, as I’m pretty sure there are ping pong balls and silverware used as percussion instruments. The lyrics are all in German but are rich with various forms of humor, while the vocals range from punk shouts to something resembling Vincent Price at karaoke. This is absolutely punk for those that embrace the weird within punk, so if you like things like CRAZY SPIRIT, ALLUSION, the COLTRANES, or A FRAMES, then this is for you. Personally, I can’t get enough of this one.

Apparition Verbrauch cassette

APPARITION plays a form of hardcore that draws heavy inspiration from Italian hardcore bands like DECLINO or INDIGESTI, so think chaotic song structures. The Verbrauch cassette was released late in 2024 and features a raw, lo-fi production which lends a liveness to the six songs contained. Pure feedback harnessed as guitar solos, seemingly endless bass runs, and a thrashing whirlwind of drums are combined and support The German vocals have the feeling of a revolutionary with a bullhorn during a riot. The closing track “Leer Abgelassen” is a chugging, gloom-ridden opus and provides a succinct wrap on the spectacle. If you liked HELLSCAPE’s release last year, then you’ll definitely be into APPARITION.

Dishumanitär Dishumanitär LP

DISHUMANITÄR is a three-piece crustcore band from Karlstad, Sweden. This self-titled LP is their first proper release, and if you’re into crust and stenchcore then you’ll definitely want to find a copy of this album. The opening evokes immediate memories of NUX VOMICA, especially in the slower, dirge-like parts, and there are also very technical moments that are reminiscent of AGE OF COLLAPSE. Vocalist Hannah absolutely shreds their vocal chords with every lyrical delivery, which provides a blackened quality. Relatively clean production on this ten-song album really lets the powerful instrumentation deliver a full sonic spectrum with pummeling bass and soaring guitars (check out “For What?” if you need clarification). With songs ranging in length from under two minutes to almost six, the Dishumanitär LP really runs the gambit between face-melting burners and plodding metallic jams. My personal thoughts: DISHUMANITÄR, hell yeah!

Cataphiles Shadow Self LP

Deathrockers CATAPHILES from Bremen, Germany recently released the Shadow Self LP, and it’s pure bliss for those of us who enjoy exploring the darkness. Masc/femme dual vocals is the first thing you’ll notice about CATAPHILES, and in this context they provide a sonic balance as well as an emotional unity. Lyrics provide both strong social criticisms and humor with a dark perspective, while sonically, it feeds upon familiar ’80s goth. Occasional pop harmonies emerge from minor key compositions, while momentum seems to build as the album progresses. The ten songs on Shadow Self are individually strong enough to stand on their own, but as a collection, they make for an incredible listening experience. If you like TEMPLE, NOX NOVACULA, or CIERŃ you’ll want to checkout CATAPHILES.

Abolitionist The Long Slide cassette

Out of the dampness of Oregon comes ABOLITIONIST with a ten-song cassette full of synth-driven, melancholic, post-hardcore-inspired political punk. Between the blasting E-beats, you’ll catch lyrics that tell a story pertaining to a potential future world. The Long Slide is a bit of a concept album in that regard. The Long Slide is also a sonic departure from previous ABOLITIONIST recordings with its electronic-driven rhythms, droning synths, and distorted vocals. “Smoke” has a great post-punk-influenced intro, then rips into a snotty vocal delivery of lyrics critical of accelerationism. There’s a Cold War-era vibe that permeates a lot The Long Slide, as it cites ’80s new wave but without an ounce of respect. I really dig the lightning-fast energy of “Where the Bad Folks Go.” All in all, The Long Slide reminds me of a late night dub session where PROPAGANDHI takes over the turntable with a collection of new wave singles and remixes them into some great punk rock.

Crippling Debt Depletion cassette

CRIPPLING DEBT from Fort Lauderdale, Florida plays old school grindcore/powerviolence, but with a decidedly more brutal approach, so sans electronics, samples, or bullshit. The Depletion cassette has nine songs, and each is well under the minute mark, with most clocking in at less than 30 seconds. FUCK ON THE BEACH, but a heavier CAPITALIST CASUALTIES with more metal and aggression. CRIPPLING DEBT also integrates a death metal vocal styling with guttural grunt work, so think something like CATTLE DECAPITATION or OCEANO. Perhaps the most general comparison I can make is imagine a raw punk version of INSECT WARFARE.

Chasm Demo 2025 cassette

DISCHARGE-drenched D-beat aficionados CHASM come tearing onto the scene out of Seoul, Korea with this four-track ripper. CHASM is set apart from the general D-beat milieu due in part to the vocal delivery, which is very much of the studded leather-gauntlet-covered fist in the air type. From the opening squeal of feedback to the final drumbeat drop, this demo is brimming with noisy D-beat which never strays from the band presenting their brand, so sans any superfluous sounds, you get just straightforward CHASM. This short sampling is absolutely worth a quick listen, but leaves me hungry and wanting for more.

Zikin Bala Galdua Zure Buru Galduan 12″

Raspy vocals, rambunctious guitars, and a bouncing but tight rhythm section is the basic description of ZIKIN from Lekeito, Spain. Anthemic and melancholic, the Bala Galdua Zure Buru Galduan 12″ blends dark punk and hardcore into a sound that is instantly gripping. The eight songs presented on this 12″ contain rhythm shifts, but primarily stick to a rather quick delivery which keeps the energy high. The jerking beat and stop-on-a-dime of “Labankada Hortza” is testament to the rhythmic skills of ZIKIN. If you like things like CHAIN CULT or CRAN, you’ll absolutely like ZIKIN.

Idiot Ikon Idiot Ikon LP

IDIOT IKON from Stockholm, Sweden released this ten-song, self-titled album about a year ago, and it really fucking rocks. Using the DISCHARGE D-beat formula but adding in some rock’n’roll guitar noise of the like found on maybe a DEAD BOYS album, the result is a raucous listen. The vocals are of that shredded vocal chord quality which I tend to associate to a blackened context, but in this presentation only makes the wall of noise more robust. Midway through the album, “Aspects of War” kicks in, and its blend of hardcore and rock’n’roll is sure to get your fist pumping in the air. Throughout the album, there are quirky bits of distortion that create strange but interesting instrumentation, as well as intriguing riffs that launch into noisy screaming solos. In all, Idiot Ikon is absolutely worth a spin.

Necropolítica Cualquier Ideología Es Una Trampa LP

NECROPOLITICA from Burgos, Spain plays a thrash-laden, crusty D-beat that is speedy, tidy, and full of noise. The twelve songs that make up Cualquier Ideología Es Una Trampa emerge at an unrelenting pace and scorch through the aural canal as they enter the brain at warp speed. Guttural vocals deliver Spanish lyrics that criticize our contemporary sociopolitical problems. As I listen, I’m frequently reminded of RATOS DE PORÃO, but also of HIATUS and DOOM. Generally speaking, NECROPOLITICA seems to supercharge their crust punk with the speed of thrash metal, and it works.

Distant Relatives Distant Relatives cassette

Rumbling bass, proto-punk song structures, and chilling vocals are just a few hallmarks on DISTANT RELATIVES’ self-titled release. From Chemnitz, Germany, DISTANT RELATIVES play an aggressive form of rock’n’roll that is difficult to categorize. I personally hear things like PATTI SMITH, the GITS, WHITE LUNG, EASTERN SYNDROME, and the ELECTROLYTES, but there is also a big 45 GRAVE influence. Needless to say, DISTANT RELATIVES rocks! The song “Mei Nü” is definitely one of my favorite songs as it rips with a quick punk energy, has a gnarly guitar tone that is snarly and grimy, and brims with a snotty attitude. Meanwhile, it’s hard to resist the swagger within “Done.” If you’re in for an album that meanders, but rests on genuine and unique rock’n’roll, then check this one out.

Slutbomb Attentäter CD

SLUTBOMB from Cincinnati claims to be “the fastest queercore band in Ohio,” and they’re not lying. Blasts of powerviolence link up with sludgy riffs to form a slow/fast wall-of-death sound that is as much old school thrashy hardcore as it is metal-injected punk. The guitar tones on this recording are some of my recent favorites (see “Blood of Monsters” or “Slippery Elm Bark” for examples), and sound sort of like an angle grinder running underwater. Debra’s vocal barrage is raw and articulate while firing off lyrics critical of all the things creating our contemporary global hellscape. All in all, this eight-song recording is a blast from start to finish while also bringing a fiery and crucial message.

Śmierć Opór LP

Swedish D-beat punk band ŚMIERĆ has been playing together for nearly a decade now. Drawing inspiration from 1980s Polish punk, ŚMIERĆ espouses an alchemical outlook on the D-beat formula and infuses it with sounds from further afield. The result is a sonic adventure that ranges from anthemic punk to melancholic dirge with plenty of Mötor-charged moments in between. The Opór LP is nine songs in length and the band’s fourth available recording. In comparison to previous releases, Opór finds ŚMIERĆ pushing their sound to its furthest edges, with faster rhythms, colder tones, and extended instrumental sections. To me, I hear a lot of influence from ZBOMBARDOWANA LALECZKA, IŁ-62, and other Polish bands that embraced punk but experimented with other genres. I’m also reminded of contemporary Polish band LIFE SCARS when the more hardcore punk rock hits. The song “Das Unheimliche” is perhaps my favorite song on Opór with its eerie intro, infusion of world music, driving punk rock, and a haunting bridge.

Descrente O Tribunal dos Incautos cassette

This four-track cassette of songs by DESCRENTE is presented by A World Divided, and it’s everything to me right now. DESCRENTE is from Portugal and plays a breed of raw, dark hardcore punk with additions of atmospheric elements. The culmination of these sounds creates a foreboding but defiant energy, a sort of biome of depressive rage born from oppression and alienation. Overblown vocals rage over propulsive rhythms that shift and mutate rapidly. The guitars mostly grind along but occasionally take off on harmonic flights. This cassette is nearly twenty minutes in length, with the shortest song clocking in just shy of four minutes, so buckle in and get ready for a long noisy ride. If you like things like WET SPECIMENS, PART1, or AXEGRINDER, then rest assured, you’re going to love this.

Texture Freq What May Come EP

TEXTURE FREQ is a maniacal hardcore punk band from Minneapolis that reminds me a lot of 9 SHOCKS TERROR, but with a better balance through the equalizer. What May Come is a four-song EP, and the second available from TEXTURE FREQ. The opener “Golden Pavilion” is about a minute long and shifts from hardcore blast to Ginn-influenced guitar riff before you’re even comfortable, followed by the nearly epic (almost three minutes) “I Fucked the U.N. (and Lost),” which is a spastic, nearly stream-of-conciousness hardcore assault. “So What? It’s the Future” espouses a sort of positive outlook while exploring the relationship of destruction to creation. The closer “Head Machine” is hardcore at its finest, with an in-your-face attitude and a swaggering breakdown that decays and returns to aggro hardcore. If you dig raw, fast, abrasive hardcore that pulls no punches and doesn’t need any sort of posturing, then you’d better check out TEXTURE FREQ.

Human Needs Concrete//Generic LP

HUMAN NEEDS are from Rome and play anarcho-punk à la ZOUNDS or the MOB, but with the addition of some contemporary darkened post-punk. For me, this is one of those albums that I want to dwell with or to put on and listen to with intent, not just press play and relinquish it to the background—a lyrical depth that causes one to pause and ponder while at the same time being a direct message. Interspersed with recordings of the natural world, Concrete//Generic also carries with it layers of cheeky sarcasm. Instrumentally, HUMAN NEEDS uses pretty classic anarcho-punk-styled riffs with relatively clean tones, which keeps things in a harmonic spectrum. The rhythm section is fantastic with speedy drum fills, primal tom hits, and a bass that keeps up at warp speed. This is an absolute must for fans of things like CHAIN CULT or DIÄT, but also if you dig anthemic anarcho-punk.

Haraa Shide 紙垂 cassette

HARAA is a powerviolence band from Indonesia and has been playing together for a couple of years now. Their sound is heavily influenced by Japanese hardcore, but also incorporates harsh noise, ambient noise, and field recordings. Shide 紙垂 is a five-track recording that is over in about six minutes, so multiple replays are a prerequisite. However, the amount of sonic space HARAA traverses in this time is immense, so you’ll be needing to replay this cassette a few more times just to catch all the nuances hidden within the melee. In total, Shide 紙垂 carries with it an archaic power, like being crushed by the fist of an angry ancient god while at the same time being absolute raw punk gold and satisfying the “noise not music” sect in a single tidy package.

Fénwär Fénwär LP

FÉNWÄR is a group of anarchists who reside at Réunion, which is a small island in the Indian Ocean, and they play toothsome, crusty anarcho hardcore. The Fénwär LP, the band’s first release, is eleven tracks of all-out blistering guitar, huge chugging bass lines, and intriguing rhythm shifts. The vocals range from spoken word, sung, and dual shouts, which keeps things really interesting, while most of the lyrics are in French. There’s also a DISCHARGE and a NAILBOMB cover, so you know from the jump what references FÉNWÄR is citing. “La Soucoupe et le Perroquet” is currently my preferred song, as it drifts into starting and builds stronger as it progresses into a ferocious pummeler. In all, don’t sleep on FÉNWÄR, as they’re top-shelf.

Second Death Second Death 12″

SECOND DEATH from London plays a tight, airless brand of hardcore that feels claustrophobic. This nine-song, self-titled 12″ explores a variety of personal and interpersonal issues in rapid succession, and with very little time wasted. Most songs are full-on walls of hardcore that open and close before there’s time to catch your breath. Occasionally, I’m reminded of hardcore that came out of New Jersey about a decade ago: ALTERED BOYS, or HEAVY CHAINS. SECOND DEATH, however, seems to somehow tweak the hardcore formula and create even more succinct songs without missing anything.

Phosphore BDX 2024 flexi EP

PHOSPHORE from Bordeaux, France released this three-song flexi as a summary of 2024, and it rips. If you’re unfamiliar with PHOSPHORE, then check out their 2023 self-titled full-length, or imagine hardcore D-beat with a Scandi bent sung in French. Blown-out vocals barking over noisy, loud, punk rock. The BDX 2024 flexi seems even noisier and louder, which only further highlights the themes contained within the songs and the disc’s packaging. With each track being just over the minute mark, these songs were destined for many subsequent repeats. If you like full-speed, cacophonous punk, then you better take a trip with PHOSPHORE.

Bzdet MGLA cassette

BZDET is a bedroom project from northwest Poland created by an undisclosed synth-rocker. This ten-track cassette is just the latest in BZDET output, and it’s well worth your listen. Upon pressing play, there’s a dance-ready energy that is difficult to deny. Songs range from the dub of “Ogród” to the hopped-up, guitar-driven punk of “Syreny,” with plenty of synth-heavy, darkened bop in between. BZDET slows things down as the cassette nears its end with the closer “Historia” barely reaching the plodding pace, but carrying with it a heavy emotional weight. In all, the MGLA cassette draws from a host of Polish punk sounds, but also has plenty of familiar noise for the Western ear, which makes for an attention-grabbing and incredibly enjoyable listen.

Chujoza Niewolnicy LP

CHUJOZA is a grindcore-influenced crust band from southwestern Poland. The Niewolnicy LP was released in the middle of last year, and is CHUJOZA’s first recorded output. Eleven songs of blistering D-beat hardcore, with various throat-shredded vocals making appearances throughout. CHUJOZA reminds me a lot of the global hardcore sound from about twenty years ago, but with a vibrant and refreshed urgency. My favorite track is currently “Czy Życie Jest Dobre?,” which comes just beyond the midpoint of the album, is a bit mid-paced, and has an old school sort of anarcho-hardcore delivery. If you like raw production, grindcore energy, and absolutely frenetic vocals, then you better check out CHUJOZA.

Cold War Illusion: The Complete Studio Sessions LP

Sometime ago I recall coming across a COLD WAR recording of “The Machinist” and being intrigued, but that feeling wore off quickly when I grew frustrated of trying to find more from this allusive anarcho-punk band. COLD WAR was a short-lived project in the early 1980s, and their recordings were not widely distributed. However, thanks to a collaboration between Grow Your Own Records and Ohne Grund Schallplatten the entirety of COLD WAR’s recorded history can be heard. If you’re a fan of things like PART1, later CRASS records output, the Steve Ignorant project SCHWARTZENEGGAR, 1981, or even THATCHER ON ACID, you’ll be wanting this in your stockpile. Personally, this one is going in my permanent collection.

Träume Wrzask LP

Over the past couple of years (and thanks to writing reviews for Maximum Rocknroll), I’ve become very familiar with punk from behind the Iron Curtain. When the Wrzask LP by TRÄUME landed in my inbox, I was excited to say the least. Moments after pressing play, I’m reminded of ZBOMBARDOWANA LALECZKA, which is the ancestral band of TRÄUME. If you like hardcore punk, then you’re going to love Polish hardcore punk. A mutation all its own: Polish hardcore tends to embrace playfulness in regards to rhythm shifts and exploration of noise, so get ready for some new sounds. TRÄUME is amazing at shifting between eardrum-piercing noise to bouncing hardcore in no time flat and with ultimate finesse. If you like TRÄUME, then maybe also check out ZBOMBARDOWANA LALECZKA, IŁ-62, or CITY SKYLINE.

Louse Passions Like Tar LP

Hailing from Cincinnati, Ohio, LOUSE plays an eclectic brand of post-punk that explores a variety of emotions and topics on their latest full-length Passions Like Tar. Songs that call to mind bands like the CURE, and BAUHAUS, but also post-hardcore like SPARTA circa Porcelain. If you’re in the mood for something that is a little less straightforward and saves space for a bit of jamming, then look no further than LOUSE.

Holocaust She Attacked 90’s Decades CD

Chronologically and sonically, HOLOCAUST slides into the Japanese hardcore scene between LIP CREAM and ZYANOSE. Up until now, it has been difficult to find recordings by this short-lived project, but no more, thanks to Black Konflik Records who have the direct connection to the best archive of Japanese punk to ever exist. She Attacked 90’s Decades is a collection of various recordings from the middle section of the 1990s when HOLOCAUST was active. Beginning with some very raw tracks in which the drums are barely audible and finishing with some less raw but still noisy-as-fuck tracks, this CD is a great way to get in touch with a band from the Osaka scene that lacked documentation. If you dig noisy Japanese hardcore punk, then you’ll definitely want to have this in your collection.

Antihéroes Presentes Urbanizados / Algo Nos Sucede 7″

In the mid-’80s, a five-piece band from Argentina scraped together their meager resources and recorded a two-song cassette. The cassette was a success and helped ANTIHÉROES gather some momentum, but the recording became quickly lost in time. Fortunately, Munster records and Twistin’ Bones have gotten together to issue a 7″ containing the two original songs recorded by ANTIHÉROES. Danceable post-punk with a raw edge; bass-and-drums-driven macabre. Occasionally, synthesizers and guitars take angular jabs back and forth. It’s bittersweet knowing these two songs were the only ones recorded by ANTIHÉROES, but at least they have that bop and can now be a unique artifact from a sparsely documented scene.

Middle Edge I Lost My Mind LP

MIDDLE EDGE is from Japan, and offers melodic punk rock that is gloomy and gentle in the best ways possible on their I Lost My Mind LP. There’s something here that reminds me of early 2000s rock like the LIVING END or maybe TIGER ARMY. Clean, spaciously-placed riffs soar over a rhythm section that generates hip-altering momentum while a loveable voice croons in a very rock’n’roll way. Yes, give me more.

Suffocating Madness Unrelenting Forced Psychosis LP

Thrash-laden, D-beat-inspired noisy raw fucking hardcore punk: that’s Unrelenting Forced Psychosis by SUFFOCATING MADNESS. From the very start, I’m reminded of Swedish hardcore band VICTIMS or maybe even WOLFBRIGADE. But then there’s this fuzzy punk energy that reminds me of the SWANKYS, or maybe it’s DEATH DUST EXTRACTOR. Either way, it’s supercharged with enough thrash punk à la CRYPTIC SLAUGHTER to launch the whole recording into warp speed. I think I just found my new favorite album.

Black & White Cat / Black & White Cake Black & White Cat / Black & White Cake LP

This nine-song full-length by Buffalo, New York’s BLACK & WHITE CAT / BLACK & WHITE CAKE is an entertaining rollercoaster. A general post-punk vibe crosses through all the songs, but some are synthesized punk and a few are plodding towards darkwave. When you realize BLACK & WHITE CAT / BLACK & WHITE CAKE is a reference to the 1977 horror film The Sentinel and their favorite band is KILLING JOKE, then things start to make a lot of sense. Two guitars dance around in chaotic repetitions as digital drums and dirty, distorted bass keep time. “Invoke” is perhaps my favorite song with its build-up and very Jaz Coleman delivery.

Negative Gears Moraliser LP

Over the summer, NEGATIVE GEARS from Sydney released this great full-length Moraliser,  packed with bopping punk energy but also a wide range of sonic exploration. “Attention to Detail,” probably my favorite song on the album, reminds me of the ASTRONAUTS merging with KILLING JOKE, only to be a lilting instrumental towards its end. “Lifestyle Damages,” the song that follows, sounds like it could be a BUZZCOCKS or DAMNED song. I guess what I’m saying is it’s just great quality punk rock from the very start until the very end.

Chain Cult Harm Reduction LP

Being from Athens, Greece, I like to imagine CHAIN CULT climbed Mount Olympus, battled the gods, and returned victorious with the gods’ instruments in tow. Upon returning, they began playing darkened post-punk (with an emphasis on the punk) and releasing epic output regularly. Harm Reduction, the band’s latest recording, is a start-to-finish perfect album. Eight songs in which each member of the band expertly wields their instrument while melodic, gritty vocals bring the sneer and energy. Lyrically, Harm Reduction explores deep territory with lessons in life and death, our rapidly failing planet, and the growing political consequences. The title track “Harm Reduction” opens with some great bass, seering guitars, and contains a catchy hook that loops in your mind for days. Personally, I dig “Harrowing Times,” which is a driving, nearly anthemic, call to attention. Needless to say, if you haven’t listened to CHAIN CULT, well, now is the time.

Anti-System No Laughing Matter LP reissue

Somewhere back near the dawning of mass home internet access, I came across ANTI-SYSTEM. Upon hearing their blistering anarcho hardcore, I immediately emblazoned ANTI-SYSTEM on the back of my jacket. Fastfoward several blinks of an eye later, and I couldn’t be more stoked to see a reissue of No Laughing Matter, an absolute stellar full-length. First released in 1985, No Laughing Matter contains hardline lyrics about peace, animal liberation, and nuclear war which remain poignant to this very moment. ANTI-SYSTEM strikes that perfect balance of anarcho punk’s chaotic playfulness and the surging rage of hardcore, and inadvertently created the bastard child known as crust punk. In reality, No Laughing Matter is a shifting album—an album that shifts from UK82 hardcore, to sound clips, to harmonic instrumentals and back. This LP is packed with thirteen songs and is an absolute monolith worth listening to in its entirety.

Closetalkers Path to Peace EP

CLOSETALKERS are from Calgary and play a blistering, raw, and very particular mutation of D-beat hardcore. A heavy dose of Scandi-crust blends with noisy Kawakami-inspired riffs to form an abrasive fury that is difficult to match. The opening song “Pestilence” features a fun rhythm breakdown just beyond the midway, and the closer “Narc” opens with a lot of drumwork, which for me is a great kind of bookend to this six-song EP. If you’re into PHYSIQUE, YELLOWCAKE, TRENCHRAID, KRASH, or any other type of D-beat punk, you’ll want to hear this.

Soft Kill Roseland 12″

SOFT KILL from Chicago, Illinois recently released the three-song Roseland 12″. The opening “Blood On My Shoes” is a shoegazing, synth-heavy opus that reminds me heavily of Y2K-era college radio. “Roseland,” the following track, is a bit more upbeat with a lilting dance beat and a very new wave feel. The closing song “Circles” is a cover of DAG NASTY, and is a pretty rocking take on the song. In all, the Roseland release represents the multi-faceted approach to music SOFT KILL has become known for.

Zone Trooper Zone Trooper LP

The self-titled album by ZONE TROOPER from Portland, Oregon is excellent. DIY-style rock’n’roll that explores ’80s metal and prog rock. A very “western” aesthetic is dealt with the intro song and seems to return sporadically as the band explores their sonic range. Fans of MOTÖRHEAD and IRON MAIDEN will for sure like tracks like “Steel Horse War” and the closer “Snowy Peaks.” The more progressive, ambient elements remind me most of EARTH. ZONE TROOPER is definitely not for the pogo crowd, but if you’re into experimental, riff-heavy rock, then absolutely take a shot.

Nox Novacula Feed the Fire LP

I’m not even gonna play, I missed seeing NOX NOVACULA this summer at Skull Fest and I’m pretty sore about it. Feed the Fire was released shortly before, and I was hooked on the nine-song album of anthemic deathrock. Feed the Fire has its  moments of introspection and downtempo gothic rock, but the majority of the songs are demanding change by any means and contain an energy to match. If you like 45 GRAVE or you keep up with CIERŃ, you’ll like this.

Lucta Eterna Lotta LP

Italian punks LUCTA recently released Eterna Lotta, which is a boiling cauldron of hardcore that mutates and evolves in chugs and thrashing. The opening song starts with what sounds like an organ, but then guitars merge with it, soon a bootstomper starts to assemble, and then the tempo doubles into lightspeed. I really get into the song “Il Peso Di leri,” or “The Weight of Yesterday,” which is a plodding song that ends with discordance and decaying sounds. I’m reminded of EMPTY VESSELS from Connecticut with the type of hardcore LUCTA plays, but obviously LUCTA sings in Italian. The type of playful hardcore that pushes the limits of the genre and explores atmospheric sounds and abstract rhythms all while being punk as fuck. Having been a band for a while now, LUCTA has only issued a few recordings, so Eterna Lotta is definitely worth checking out.

The Pist Right to Choose / Jim Martin 7″

Since reforming last year, the PIST has been very active, and can now log this 45 as another hallmark. Full of their signature style of streetwise hardcore and a barrage of gang vocals to boot, “Right to Choose” is an anthem for reproductive freedom and bodily autonomy, and also features additional vocalists from a host of East Coast punk bands. The reverse side, “Jim Martin,” is an ode to punk rock champion Jim Martin and brings an even bigger serving of Oi!, definitely sing-along ready with a sort of bar rock energy. After releasing a fresh album and gigging regularly, it’s astounding that the PIST has time to release a fresh artifact all in a year, but here it is and it rocks.

Human Trophy Primary Instinct LP

Wow, this is a wild listen! As per the prerequisites of Iron Lung Records, there is plenty of noise, but HUMAN TROPHY also brings a gothic deathrock experience that I was not prepared for. Guitars that sear and screech descend from every direction while the bass rumbles in perfect time with the drums. A creeping, ambling voice emerges methodically delivering lyrics in a gloomy monotone. The Primary Instinct album is full of mid-tempo darkness, but there are also songs like “Devotion” that are pogo-ready with a more D-beat-inspired rhythm. Personally, “The Cabin” is my favorite song on the album, with its haunting pace and spectral guitar work. If you like noise and the sounds of desolation, then I highly recommend HUMAN TROPHY’s Primary Instinct.

Naatlo Sutila Naatlo Sutila LP

NAATLO SUTILA is a hardcore band from Bordeaux, but rather than playing straightforward hardcore, they decided to mix their old school sound with deathrock and anarcho-punk. The outcome fucking rocks. From the opening drumbeat and bass chug of “Voices” to the thrashing speed of “Hell” and all the way to the end of the CRASS-like feeling of “Revolution,” NAATLO SUTILA presents a romp of a self-titled album. As a three-piece, it’s amazing the power this trio is able to generate and deliver. If you get a chance, definitely give this one a listen.

Distrüst Under the Knife cassette

DISTRÜST from San Salvador released this ten-song cassette more than a year ago, but somehow it still sounds current. True D-beat aficionados, DISTRÜST hammers with the speed and intensity of early DISCHARGE but also sporadically mixes in things that remind me of bands like NAILBOMB, DISFEAR, or RIISTETYT. The closing track “Falling in the Process” has a pummeling instrumental opening which then proceeds to go into a song that leans very hard into the metal side of things. The production value seems improved over previous DISTRÜST sessions, which I appreciate. The minute-and-thirty-second ballistic attack of “The Future is Far From Us” is perhaps my favorite song on the album with its relatively straightforward D-beat hardcore. Under the Knife is definitely worth getting ahold of and is a solid output from DISTRÜST.

Fatal State Ni Un Paso Atras cassette

If you’re a fan of dual vocals, then you should check out FATAL STATE from Portland. Raging hardcore that ranges from punk-flavored to the more metallic side can be found on their Ni Un Paso Atras recording. The opener “Ojo Por Ojo” is a blazing bullet of hardcore punk, while “Preventable Death” is a chance to catch your breath with its slower chugging. Intensely political lyrics are delivered in English and Spanish, but it’s the work of two vocalists that really create the collective voice of resistance energy that this cassette has. FATAL STATE seems to draw from a vast range of punk and hardcore inspiration while shaping it into a sound that is distinctly their own.

Excess Blood Excess Blood cassette

EXCESS BLOOD is a deathrock band from the Pacific Northwest. Their self-titled cassette is a five-song romp through various influences of gothic, death-driven punk. The opening song “Here and There” is a mid-tempo pummeler with some excellent instrumental displays and reminds me most of CHRISTIAN DEATH. “Roses Bloom” picks up the pace which continues in the following two songs and has a T.S.O.L. sound that ranges from crooning to hardcore in a flash. The feedback-drenched closing track “To Love is to Grieve” has a sort of CRAMPS-meets-MINISTRY vibe that rocks real fucking hard. Perfect listening for this time of the year.

Aihotz Niebla Total 12″

Instrumentally, this release by AIHOTZ sounds a lot like the ADOLESCENTS or AGENT ORANGE. However, vocalist Bea brings a range that is hard to beat and ends up landing somewhere near Eve Libertine and Poly Styrene, but with something almost operatic. The blend between band and vocalist makes this 12″ an enthralling experience. The summation of the parts is something that sounds like anarcho-punk but with a heavy rhythm section ready-made for dancefloor antics or skateboarding background tracks. Definitely check this out if you like punk rock. Absolutely check this out if you’re into intriguing vocals.

Hellscape Cujo EP

HELLSCAPE, out of West Yorkshire in the UK, is a unique band to say the least. Heavy deathrock influences pervade this recording, but there are also hardcore breakdowns and a big helping of anarcho-punk. It’s a sound that shouldn’t work out, but it does, and it’s fucking awesome. Vocalist Ciara is full of fury as caustic lyrics are delivered. Joe on drums and Lily on bass make up the rhythm section and keep perfect time with effortless stops and shifts. Guitarist Ben uses a buzzsaw tone that is absolutely punk rock. From start to finish, this six-track EP is an absolute blast.

Diuretic Zero Days Without Incident EP

It’s been a long moment since I’ve listened to a grindcore album and simultaneously enjoyed the riffs while giggling at the jokes. Enter DIURETIC, a four-piece from Philadelphia. With all the ways grindcore is stretched to fit these days, it’s really refreshing to hear a band that sounds like old school, straight-up, no-holds grindcore. NAPALM DEATH and UNSEEN TERROR-inspired guitar with speed-shifting rhythm and blasts that race through your aural canal straight to your brain. DIURETIC chose to write this ten-song EP with the theme of “workplace accidents” as the inspiration. Song titles like “OSHA Supersoldier,” “Forklift Certified Early Retirement,” and “The HR Rep is Dead” deepen the joke behind the album title. A really fun listen and definitely something I want to catch live.

No Future Mirror LP

NO FUTURE from Perth has been a band for a while now, honing their music into a raw hardcore/crasher-influenced sound that is full of bass, noise, and rage. If you’ve never heard of NO FUTURE, no worries. The Mirror full-length is a great place to get started, with twelve tracks that are mostly previously released. Between the bass-and-drums overload and the crackling guitar, I’m not really sure which aspect is my favorite, but I will say the vocals are excellent.  “Endless Torture” is a standout track for me. This is a split release between Iron Lung and Televised Suicide, so you know this is a well-produced album with all the charm and hallmarks these two labels are known for.

Encierro Doomsday Still Bleeds Red LP

ENCIERRO is a blackened crust band from Melbourne who recently released their first full-length, and it’s a fantastic album if you’re into things that sound like NUX VOMICA, AGE OF COLLAPSE, and perhaps especially MURDERESS. Stenchcore epicness combined with vocalist Nettlenet unleashing their ferocity really makes for a great listening experience. The over eight-minute-long song “Doomsday” might be a bit much for the pogo crowd, but is perfect for those who enjoy the riffing. Lyrically, ENCIERRO is very hardline with their stance, which I dig, and poetic in a blackened sort of way. “Alerta” is probably my favorite song off Doomsday Still Bleeds Red, with its anti-fascist lyrics and heavy tones. I’m definitely looking forward to spending some winter afternoons with this album.

Motorsav Dødsløse Nætter LP

Copenhagen punks MOTORSAV released this fifteen-song album earlier this year, and I’ve only now gotten around to listening to it. K-Town-style hardcore punk that incorporates synthesizers, and has a bleak, post-punk sort of vibe: I’m in. The opening song has a long, atmospheric opening that spontaneously becomes a punk song, and that’s just the first track. Creative arrangements emerge throughout this album, with MOTORSAV using their instruments’ full capabilities. Towards the end of the album, there are a few cover songs, with one being “Girl U Want” by DEVO. I guess what I’m trying to say is that Dødsløse Nætter is a good time.

Crepuscular Dawn The Fire Tomorrow LP

Post-punk of the heavy-to-soft exploration variety, out of Manila. I had to look up the word “crepuscular,” and it’s not remotely what I thought it meant. CREPUSCULAR DAWN has vocals that range from a little bit of DANZIG mixed with Jaz Coleman to a swoon like MORRISSEY. Guitars build and shift dramatically on this album when given the chance. The song “Pilgrim” is my current favorite, with its hook of proverbial wisdom. If you’re into dark post-punk with a tendency towards a heavier vibe, then absolutely check this LP out.

Snow Trail Abandoned Capsule LP

From Jena, Germany comes SNOW TRAIL: synth-laden post-punk with a punk rock sneer. If you’re into HOME FRONT or DIÄT, you’ll definitely like this. Abandoned Capsule is full of lengthy jam moments that rapidly shift and churn, but are completed as quickly as they started. Elements of no wave creep in around the edges, with saxophones occasionally making an abstract appearance. There’s also an element of PUBLIC IMAGE LIMITED. in the experimental play with recording techniques and instrumentation. In all, probably not for the diehard punks, but definitely worth picking up if you’re into post-punk.

Sooks Moral Decay LP

From Perth, Australia comes SOOKS. Their first full-length Moral Decay is fourteen tracks of hardcore punk that explore a variety of contemporary issues. Vocalist Ange delivers a vast range that highlights various emotions in the lyrics. Occasionally, the guitar work reminds me of early Stig Miller. SOOKS throw a lot of variety into this album, with each song having a fresh presentation and multiple shifts within a song. Hands down, Moral Decay by SOOKS is worth owning.

Krash Nothing is Sacred LP

Oh hell yeah! Saskatoon D-beat that goes real fucking hard. Plenty of riffs to keep the shredheads fed, with a kind of BEHIND ENEMY LINES structure to songs, so hardcore, and with just enough Motörpunk to keep things raw and noisy. KRASH absolutely has a unique sound, and on this LP, the band creates an album that rocks from start to the finish while exploring a wider sonic environment than most in the subgenre. In all, Nothing is Sacred represents a refining of hardcore D-beat into an album that suits punks and metalheads equally.

Pollute EP. cassette

I’ve been following POLLUTE since the band before their current band. From the Durham area of North Carolina, POLLUTE is only a few states from me. POLLUTE plays D-beat punk, but they have two things going for them that a lot of bands in the field do not. The first thing being the vocals: they’re killer. Powerful, well-enunciated, full-throated screams that could lead any metal band, but still sound punk with their ragged edges. Secondly, the drumming is so tight that there’s time for cymbal play without ever dropping a beat on the bass pedal. See “Nuclear Cage” for creative use of cymbals, the song is perfect with the line “we’re all living in a nuclear cage.”

Head Cut Corazón Negro LP

Out of Ventura, California, HEAD CUT plays punk rock—straight up. However, the surf guitar that finds its home everywhere and the range of vocals that are delivered here take Corazón Negro beyond just being a good album. The bass is forward in the production and seems to drive the rhythm with a clean rumble that stalks beneath the lead. HEAD CUT reminds me of WHITE LUNG or maybe even BE YOUR OWN PET, but all comparisons would only be very loose as HEAD CUT is too unique. Maybe needless to say, the Corazón Negro LP by HEAD CUT is my current listening favorite.

The Web Slivers, Shards, and Tell-Tale Hearts LP

There’s something to be said for the small luxury of listening to the physical copy of a release while simultaneously writing its review, and I’m doing just that for this piece of gold. The WEB were a deathrock band that existed from the early ’80s to the early ’90s. They spun their sonic web with a sound reminiscent of 45 GRAVE, but with more surf guitar and a stronger gothic vibe. This LP collects sixteen songs from their career and presents them in a relatively chronological order. Tongue-in-cheek lyrics highlight indifference towards religion, suffering, and overcoming struggle. Inside the sleeve you’ll find a 9″x11″ folded zine-style lyric sheet with some great photos of the band and some dedications to members who have passed. This record is absolutely going to stay at the top of my stack for a long while, and will probably become a staple of my collection.

Betonwelt Betonwelt cassette

Hamburg band BETONWELT answers the question, “what would a perfect balance of anarcho-punk, post-punk, and hardcore sound like?” The answer: it sounds awesome! Wildly distorted guitars, lyrics shouted in multiple languages, and a rhythm section that pounds out the beat make this self-titled well worth a listen. The second track “Burning” introduces the hardcore feel, while “Depression” goes even harder with a racing opening and grimy, plodding midsection. The closing track “Alone” almost feels like it could have been a ROLLINS BAND recording. Most of the thirteen tracks on this album contain a great sing-along chorus, which must make the live performances amazing.

Death Culture Deprivation Past EP

This six-song EP is a fucking ripper! Between the lightning-fast hardcore and femme vocals, it’s everything I want from a punk band. Most of the songs are just over the minute mark, so be prepared to play this on repeat. Somehow, DEATH CULT DEPRIVATION manages to fit tidy guitar solos and quick licks into these scorchers. The closing track “Fucktory” even has some sick breakdown action hidden amongst the melee. This limited 300-copy pressing is bound to go fast, so don’t sleep on it!

Swan Wash Shadow Shadow LP

This first full-length by Bloominton, Indiana band SWAN WASH is dense: gothic moments intermixed with alternative rock from the ’90s, with heavy emphasis on things like L7, the GITS, and BABES IN TOYLAND. When you realize SWAN WASH is a three-piece, you’ll be amazed at the wall of noisy sound they’re capable of producing, with moments as thick as the MELVINS. The nine tracks on this album feature a lot of variance in rhythm and instrumentation, but all somehow come out in harmony. If you’re into dark-toned rock music that edges into a lot of underground sounds, then check this out now.

Gylt Shoved / Spiral cassette

GYLT is a four-piece crossover hardcore band from Los Angeles. This release is two feral style hardcore tracks that are over and done in as many minutes. Heavy drums with searing guitar lines and vicious vocals tearing through acerbic lyrics is the fast and dirty description. “Shoved” opens with a little taste of guitar, some quick grunts, and then proceeds to tear it up, while “Spiral” enters with a bit of chugging bass and hits the throttle even faster, and is completed in well under a minute. Too fast for breakdowns and sans any sort of posturing, GYLT might just be my new favorite hardcore band. This two song release definitely whets my appetite for more.

Night Slaves Acceleration Prose cassette

NIGHT SLAVES is David Kane and John Toohill from Buffalo, New York. NIGHT SLAVES play a minimalist post-punk style that harnesses its power from synths and other electronics. The four-song Acceleration Prose cassette is full of danceable darkness with screaming organs, noisome, angst-ridden vocals, and crashing drums. The song “Wisdom of a Chain” is perhaps one of my favorite tracks off this recording, with its chaos-ridden synthesizer work, howling vocals, and driving bass drum. Fans of PRIMITIVE FIGURE or CROCODILES might be really into this cassette.

General Labor Illuminator / Tastes Metallic 7″

Synth punk/post-punk pioneers GENERAL LABOR recently released these two tracks on a 45, and you need to hear them. “Illuminator” is a noisy, mid-paced song with strange harmonic and electronic drum noises that seem to come out of nowhere and dissolve just as rapidly, and while “Tastes Metallic” is less noisy, it is equally as enticing with its shifting instrumentation. The two songs form an intense emotional juxtaposition, with the former being pensive and tense and the latter being almost dreamy and relaxing. If you like things like SUICIDE or A FRAMES, then you’ll most assuredly be into this.

Çayîr Çayîr demo cassette

ÇAYÎR from Budapest just released a demo cassette, and you’re absolutely going to want to hear it. Ballistic-grade hardcore punk of the noisy crasher pedigree is ÇAYÎR’s specialty, which they play with the gusto and charm of bands like GLOOM, ZYANOSE, and CONFUSE. Raw, brutally heavy, and packed with as much noise as possible, this style is not for the weak. Ten tracks packed into about as many minutes are over and done before you’re ready, and will demand a replay. By the third track, you’ll begin to hear the D-beat influence and punk groove, but you’ll still need to wade through a deep layer of noise muck to get there. “What Will You Concent” is just beyond the midway and invites a heavy rocker-fueled rhythm that sounds similar to Scandi punk bands from the mid-’80s.

Dollhouse I Hate You Don’t Leave Me EP

DOLLHOUSE is a band that has made the social media rounds, toured extensively, and garnered a large fanbase in the past few years. This four-song EP is yet another perfect output from the band—punk as fuck with a sort of GERMS energy, yet still unique and almost beyond compare. The title track, “I Hate You Don’t Leave Me,” almost rings like a pop punk anthem, but has more sneer and anger than most sugary bands are capable of delivering. It’s got the bop and killer guitar leads. The last two tracks are everything I know DOLLHOUSE to be—raw, angry, and just a little more dissonant than most. If you like DOLLHOUSE, then you’ve probably already heard this. If you’ve never listened to DOLLHOUSE, then this is a great place to start.

Sectarian Bloom Strategies of Tension LP

SECTARIAN BLOOM has a sound that is all their own. If you haven’t yet checked them out, well, here is your chance. Bass-heavy with searing guitar leads, and powerful yet almost spoken vocals are their hallmark. Punk rock’n’roll. Strategies of Tension is eleven songs harvested from their 2020 self-titled release and 2022 New Spring recording. A fresh mastering provides the songs with new energy and packages them all into a single record which makes playing their to-date material a bit easier. In all, this is a great collection of songs created by a band that wishes “a hundred sects bloom.”

Hans-a-Plast Hans-a-Plast LP reissue

The year is 1978, the place is Hanover, Germany, and HANS-A-PLAST is playing their version of punk rock that draws upon the sounds of X-RAY SPEX, the SLITS, and PATTI SMITH, ending up rocking similar to the REZILLOS. Pogo along to this reissue and you’ll be transported to a previous time and place. Lyrics sung in German are layered upon hopping but sparse guitar riffs, while the bass guitar and drums keep a tight, speedy beat. Songs like “Monopoly” and “Rank Xerox” seem to highlight a musicality that embraces play over refinement and assists in keeping things artfully noisy. In all, this reissue is easily listenable if you like punk from this era, and might make the perfect backing track for a night of playing pool at the local punk dive.

Nights Templar Half the Year cassette

NIGHTS TEMPLAR has been releasing a steady stream of recordings over the last few years, and Half the Year is their first that is not self-released. Garage punk and noise pop combine on this release to form songs that are dreamy and feel like they’re from another era. I begin to immediately recall things like BEAT HAPPENING and BLACK MARBLE. Drifting and lilting guitars, blending with shuffled beats, and soft but stable vocals seem to effortlessly create musical magic as the songs on this cassette meander and float into existence, almost as if one becomes the extension of the previous.

4 Kopniętych I Fred 4 Kopniętych I Fred LP

As I type, I’m also listening to this LP by ’80s crew 4 KOPNIĘTYCH I FRED out of Poland. The groovy, melancholic opening track features some surfing guitar with a dark bend and some excellent shifts in pattern. When the vocals start, they feature some nice reverb that adds a bit of goth-rock touch. Post-punk song structures pervade this album, but the energy is pure punk rock. I really enjoy how the drums are featured prominently in a lot of songs and guide the tempo with expert precision. The record features a nice fold-out lyric sheet with some photos of the band playing. From 1983 to 1986, 4 KOPNIĘTYCH I FRED gigged in Jarocin. A lot of songs on this self-titled album seem to meander in unexpected directions that are increasingly enjoyable. 4 KOPNIĘTYCH I FRED seem to have an endless musical quiver to draw upon. If you like AGENT ORANGE, the ADICTS, or the DAMNED, then you absolutely must check this out. If you believe NED’S ATOMIC DUSTBIN is amazing music, then you’re going to love this.

One Million Bulgarians Pierwsza Plyta, Vol. 2 LP

Without doing a deep dive into ONE MILLION BULGARIANS and wasting time, I’ll just say that they were a goth band from the ’80s. This LP is a long-awaited release, and is well worth seeking out. A little more punk than most goth and heavier than most punk bands, ONE MILLION BULGARIANS fit into an interesting sound. The vocals almost conjure AXEGRINDER when they really start to kick in. Chunky bass tones combine with grinding, rhythm-heavy guitar to form a wall of industrial sound that also gives impressions of KILLING JOKE and MINISTRY. Crashing metallic noises and the sound of bouncing balls of skin replace the sound of drums when the jams begin to flow. As one of those people who likes aggressive music that doesn’t seem to have an ounce of light in it, I really dig this album. It’s kind of like early crust, kind of like early goth, and entirely its own thing.

If I Could Just Get Some Sleep 10715 CD

IF I COULD JUST GET SOME SLEEP (or IICJGSS) is the solo output of Patrick Gilligan, who is a father and lives in the Midwest. Sonically,  IF I COULD JUST GET SOME SLEEP features some industrial-grade synths moaning and crashing into smashing drums. The vocals remind me of youth crew hardcore from the ’00s. All this congeals into something that may have come out on Three One G, so think HEAD WOUND CITY, HOLY MOLAR, and SOME GIRLS. However, there is a definite industrial vibe here that can’t be overstated, so maybe also think a punker version of HARMS WAY circa Posthuman and after. In all, the 10715 disc is definitely good stuff and you should absolutely check it out.

Chaos OK Chaos OK demo cassette

This demo by CHAOS OK is way more than just okay, and chaotic in a way that is extremely satisfying. Opening with a vintage BBC radio sound clip and then launching full-tilt into punk that is reminiscent of a combo of SWANKYS meeting the best of UK82 hardcore is pure brilliance. The demo features five dirty, nasty hardcore punk tunes which you’ll find immediately fascinating. The first three tracks rip by at warp speed, and the fourth song “See” slows things down a smidge, but then the closing track resumes the raging auditory assault— a perfectly concise and tumultuous package.

Gurs Gerran Bizi Gara LP

GURS from the Basque region of Spain recently released this full-length that builds on their 2022 EP. Gerran Bizi Gara (or “We Live in War”) is full of anthemic punk that will have you singing along even if you don’t know the language. An edge of darkness pervades these songs and perfectly captures our contemporary moment. The eight songs on this album demand multiple listens, as they’re loaded with tight, intricate melodies and speedy shifts. Something about this album reminds me of Exit English-era STRIKE ANYWHERE, but faster, heavier, and in all areas better. “Eder Ta Hutsa” is a standout song for me, as it seems to showcase the band’s collective prowess, but “Derrota” is also easily a contender for best album track. Seriously check this out!

Desintegración Violenta La Bestia EP

This joint release between Static Shock, Unlawful Assembly, and Roachleg Records finds DESINTEGRACIÓN VIOLENTA playing their hallmark thrash-addled hardcore punk on five tracks. With riffs set to overdrive, a primal rhythm section, and snarling, blown-beyond-belief vocals, it’s hard not to love everything DESINTEGRACIÓN VIOLENTA is doing on this recording. If you like your punk extra noisy, speedy as fuck, and a touch demented, then you’ll definitely want to give this a spin.

City Skyline Jarocin ’88 LP reissue

This reissue is by Polish band CITY SKYLINE, and might just be what your record collection is missing. Angst-ridden vocals riding upon groove-heavy punk rock with more than just a hint of melancholic emotions creates a sound that is captivating and addictive. With rhythm shifts that range from swift punk to swinging rock’n’roll, each song has an individual vibe, but they all coalesce into a very particular sound that is brimming with desolation. Vocals are snarly and often include the entire group, but not in the gang vocal sort of way—it’s different. CITY SKYLINE produced a decisively one-of-a-kind product that is difficult to compare to others, and it’s most certainly worth a listen.

False Tracks Hymn for Terror cassette

Play this cassette by Philadelphian rockers FALSE TRACKS loud! Their jangly, distortion-heavy, psych-drenched garage punk is sure to blow you away. If you ever wondered what the YARDBIRDS might sound like if they were into the BUZZCOCKS and JAY REATARD, then look no further. Occasionally soulful but more often noisy, FALSE TRACKS is definitely a unique sound in our currently bland musicscape. The song “Dandelion” is a rocking track that seemingly combines everything FALSE TRACKS is capable of into a stirring and hypnotic presentation. If you’re a fan of psychedelia and garage rock, then do not sleep on this release.

Fog Lamp Anxious Stargazing cassette

FOG LAMP out of Oakland, California is awesome! Cacophonous synth punk for mutants. Heavy riffs combined with SCREAMERS-style song structures makes for delectable tunes. Somewhere between the bashing drums and beleaguered vocal delivery, an almost hardcore aesthetic emerges and puts to bed any thought that this is egg-punk. The title track “Anxious Stargazing” opens with a dirge-like tone and quickly progresses into a tense but clamorous rock, and is then followed by “People are Sponges,” which opens with one of the best bass sounds I’ve ever heard. In all, I highly recommend this one!

Life Scars Pekniete Serca CD

LIFE SCARS from Eastern Poland recently dropped this full-length slab of melancholic, stench-ridden, D-beat-driven crust and it’s pure gold. Simple yet concise instrumentation backs a vocal delivery that is reminiscent of NAUSEA. Lyrics delivered in LIFE SCARS’ native language have a sort of sweetness that feels ancient but alive. Blasting breakdowns and screaming guitar crescendos are ubiquitous and draw the listener further into the pummeling storm. If you’re a fan of NUX VOMICA, ROT//WOVEN, or AGE OF COLLAPSE, then be sure to check this out!

Silicosis Bocetos LP

Silicosis is a pulmonary fibrosis of the lung that is caused by breathing in silica dust during the mining process. SILICOSIS is also a dark punk band from the mining town of Lota in southern Chile, and Bocetos is their latest release. This LP is rich with anguish and grief from every angle. Atmospheric synths mix with sorrowful guitars while the rhythm section maintains the plodding pace of a funeral procession. Deep, rich vocals sing lyrics about the meaninglessness of life, depression, and other nocturnal emotions. The title track “Bocetos” is a driving, gothic anthem that builds in intensity and is absolutely beautiful in its agony-ridden delivery. It’s one of those songs that gives you goosebumps, draws tears to your eyes, but also keeps you stepping to the beat. In all, this album draws more from music of the Southwestern Hemisphere than from traditional goth and deathrock sources, and ends up being absolutely unique and incredibly hypnotic. This is for sure one of those albums that I can keep on my turntable for an extended amount of time.

Utopian Homicide Detective Utopian Homicide Detective demo cassette

This demo cassette from San Fran punks UTOPIAN HOMICIDE DETECTIVE is fucking great! Instrumentally, it has a lot of proto-punk sounds that rock like MC5 or early STOOGES material, but the unhinged vocals are more like GOVERNMENT ISSUE or FLIPPER, and it all comes together in a perfectly noisy way. It’s a kind of arty noise that isn’t trying to be. The five songs on this cassette each have quick moments that are absolutely rocking, and even quicker moments that are psychedelic blasts of distortion that are otherworldly. In all, Croat, Guam, Kiko, and Mutt come together to make some of the best punk that you’ve probably never heard.

Malcría Fantasías Histéricas LP

Recently, Iron lung Records released this album by MALCRÍA out of Mexico City, and it goes so hard! Raging but tidy-as-fuck hardcore that makes me throw hands and elbows in my living room. The vocals are so irate that one can’t help but feel the livid mentality and want catharsis in solidarity. Blindingly fast and grindingly distorted guitars tear through tracks in short order with an average song time of around two minutes. Shifting song structures further dissect these tracks with surgical accuracy to create an album that plays like blistering, OG grindcore similar to ELECTRO HIPPIES or early NAPALM DEATH. Lyrics sung in Spanish highlight weaknesses of the self, desperation, and all other classic hardcore themes without sounding completely derivative. I absolutely recommend this album to anyone that loves any permutation of hardcore.

Sklitakling Sklitakling LP

This full-length by Norwegian punk band SKLITAKLING is really, really good. It blends riot grrrl influences with a sort of early hardcore punk delivery into a bopping sound that is tempered by the Nordic perspective—a raucous but refined approach that often calls to mind Swedish greats REGULATIONS, with that sort of toeing the line between really good hardcore and pop sensibilities. Catchy lyrics and furious riffs that fill your mind for the rest of the day are abundant, while the indignant mentality creates an emotional cloud of incensed focus. The predilection towards sonic experimentation leads songs to occasionally take on a post-hardcore bent with quick, over-and-done jam session moments sprinkled in. The instrumental track “Stonerboner” is a wicked slice of guitar-and-bass-driven exploration that captures the multitude of influences that gather to create SKLITAKLING. This single instrumental is enough to garner attention with its spontaneously evolving rhythm and minutia of rock inflections, but there is still a whole album worth of tracks to enjoy and obsess over. Taken as a whole, this album is well worth the trip!

Horror Vacui Distressed / The Last Dance 7″

HORROR VACUI from Bologna, Italy has descended again with a dual-track disc of deathrock that is sure to feed the goth in all of us. Heavy with punk influence, this isn’t just some CHRISTIAN DEATH-inspired darkwave, but more like grave-desecrating anarchic rock’n’roll. Opening this 7″ with “Distressed,” a rumbling, tube-screamer of desolate emotion, sets the mood for this disc. When “The Last Dance” kicks in, you’d better have your dancing shoes laced up, because it’s sure to “keep you dancing all night long.” There’s something in these songs that reminds me of LORDS OF THE NEW CHURCH, but with an even drearier delivery.

Warchrist Deafening Silence cassette

This recent release by UK’s WARCHRIST is brilliant, and let me tell you the many reasons why. WARCHRIST’s crusty, D-beat-driven hardcore is captured perfectly on this four-song release, striking a precise balance of studio versus raw aesthetic that creates the feeling of a chaotic but high-quality, live basement vibe. Grindcore influences similar to HIP COPS or FUCK THE FACTS present themselves within moments of pressing play and permeate the entirety of this cassette. The second song “Iron Fist” presents a sort of “Bömber” rhythm, but maintains a blistering pace and somehow still delivers those blown-out, throat-shredding vocals. Towards the end of “Iron Fist,” a melancholic guitar tone emerges and continues soaring wails of anguish into “Dismantling the Illusion” which still delivers the rage-filled vocals, creating an amazing sonic display of the juxtaposition of emotions. A quick vocal swap on “Dismantling the Illusion” also yields something reminiscent of AUS-ROTTEN. “Fuck the System” follows and closes the recording with a song that opens with a middle finger of a sound sample, continues into a ripping track of mosh-ready hardcore, and then reemerges midway through as an epic gang vocal/pile-on/grab-the-mic sing-along. The crust war mentality of this album is not to be understated—if I were to use a recording as a sonic offensive against the imperialist bastards, it might just be this one.

Bleakness Words / Greed 7″

Parisian punks BLEAKNESS have a distinctive aesthetic that has been rocking in the darkness for seven years now. Anthemic, high-energy, but moody and gloomy—D-beat with a post-punk attitude. Both tracks on this 7″ feature heavy, bouncing bass lines, while the gravelly vocal delivery is somewhere beyond singing but not quite hardcore yelling. “Words” is a diatribe on politicians’ speeches and the danger of their lies with some swift guitar licks thrown in along the way, while “Greed” enters with some ripping riffs and lyrics that eviscerate capitalist culture. If you dig fist-in-the-air sing-alongs, then you have got to check this out.

IŁ-62 Opuszczamy Babilon LP

IŁ-62 is a Polish band that has been around for a couple decades now and specializes in creating brutal punk that treads a line between metal and hardcore. Opuszczamy Babilon is not for the faint of heart or the punk rock purists. World music influences combined with psychedelic and anarcho-punk form a sound that is unique. Surges of metallic hardcore rip in without warning, and noisy, experimental instrumentations find their way through the brawl. If I were to compare this album to something, it might be STRUGGLING HARSH IMMORTALS or something equally as heavy and chaotic. There are moments that are reminiscent of stenchcore, but also sounds that call to mind ’90s-era SEPULTURA or even contemporary SOULFLY. This is one of those albums that you can put on and immediately feel the jamming groove as it winds and meanders through hefty riffs and primal feelings, complete with enough sonic variations to keep you intrigued and wanting more.

Confetti Malaise A Thousand Burning Suns LP

If you like synth-heavy coldwave, then let me introduce you to CONFETTI MALAISE from Marseille, France. This initial full-length finds the four-piece band with ten songs that vary in energy from dancefloor swingers to the occasional melodic, emotionally-driven ballads. Hard-hitting bass and ethereal synth and guitar work creates a party atmosphere fit for our present armageddon. There’s something here that reminds me of BLAQK AUDIO, but with an early SOUTHERN DEATH CULT bend. Give this a listen, and I guarantee you’ll be swaying with a Djarum Black in your hand.

Spleen Spleen demo cassette

Roachleg hits the nail on the head with this demo cassette from SPLEEN. The best I can do to describe SPLEEN’s noise is to say it’s a blend of raw punk and deathrock with heavy emphasis on the rock’n’roll part, and it’s all sung in French. This five-song demo rips through with an apocalyptic urgency while feeding upon darkness and simultaneously mingling enough melodic tones and raucous bop to keep things danceable. Nightmarish themes permeate the lyrics which are delivered in a Peter Murphy of BAUHAUS sort of way, but with a blown-out effect and a bit more caffeination. I really dig the song “Advienne Que Pourra,” which roughly translated means “let the chips fall where they may.”

Andy Place and the Coolheads Feels Like a Dream EP

ANDY PLACE AND THE COOLHEADS have been rocking the Portland, Oregon region for nearly a decade, and their garage power pop sound on this latest EP is refined into three tracks. “Feels Like a Dream” opens things up with bang that channels SWEET. “Contrarian” hits next with an egg-punk energy, and is honestly my favorite song by ANDY PLACE AND THE COOLHEADS to date. The closer “Blackwater Commercial” is a 42-second song that heaps praise upon Portland’s legendary punk dive, Black Water Bar. So I guess this album functions as a solid two-track, and the Black Water gets a cool jingle, too.

Manuela Iwansson Dark Tracks LP

MANUELA IWANSSON fronted TERRIBLE FEELINGS, and Dark Tracks is their first full-length solo presentation. Over a decade ago, I interviewed MANUELA and found them to be honest, thoughtful, and a dark-souled being with predilections for all things creepy. All this comes through on Dark Tracks, with articulate lyrics delivered with their signature vocalizations over ’80s-inspired rock’n’roll. Elements of synth, post-punk, and new wave layered with a country rock vibe means this album is full of swagger and grit. Nordic pop elements arise naturally and develop into infectious melodies. If you were ever a fan of TERRIBLE FEELINGS, then you’ll love this album instantly. However, Dark Tracks proves MANUELA is a creative that can stand alone with strength and talent like a classic desperado.

The War Goes On Assisted Armageddon LP reissue

The WAR GOES ON is a hardcore punk band from Copenhagen, Denmark that embraces the depressive reality of life and comes out swinging. The WAR GOES ON presents a sound that reminds me of the UNSEEN in their Explode era—anthemic, melodic, but aggro. Emotions related to weariness from years of alienation become distilled into D-beat punk that borrows from street punk and Oi!, but is definitely not either one—more like road crew hardcore that articulates the struggle of survival while surveying the abyss of mental breakdown. Assisted Armageddon is nine songs that are catchy in a way that becomes addictive, and with a total runtime of about eighteen minutes, you’ll want to spin this album on repeat.

Temple Submission LP

TEMPLE from Portland, Oregon is a goth rock band of the finest caliber. Heavy, primal drumming, thunderous bass, and soaring, flanger-distorted guitar come together to form a formidable arrangement, while the vocals have a smooth, rich delivery similar to MORRISSEY. The Submisssion LP is an eight-song album that flows like the river Acheron, dwelling upon emotions of grief, loss, and isolation. However, the strong rocker mentality permeates deeply and creates a sonic environment that is instantly danceable and anthemic. If you’re looking for a way to beat the winter darkness, then look no further than this LP.

V/A Najmłodsza Generacja 2xLP

This 22-band compilation album of current Polish post-punk is a continuation of one originally released in 1986. It features never-before-released material by fledgling bands and documents a developing new wave scene. This compilation highlights a variety of sounds on a spectrum extending from melodic, avant-garde rock to dark-tinged, minimalist post-punk. Each of the bands enshrined in this collection displays their singular aural presence while the collection accentuates a striking cohesion. The gatefold 2xLP features a 24-page book archiving the scene’s existence. This collection is a great entry point into the Eastern European underground.

U.S. Grave U.S. Grave LP

U.S. GRAVE is from Phoenix, Arizona and shares members with goth metal band TAKE OVER AND DESTROY. However, you’ll find absolutely no metallic influences on this LP. Darkwave blending with power pop forms a sound that is all its own, while the highly polished production and restrained but adept musicianship creates a foot-tapping spirit. Melancholic and desperate in nature, this album is perfect for the long nights of winter. I really enjoy the energy of “Shallow” which kicks off midway through the B-side.

Optic Sink Glass Blocks LP

OPTIC SINK conjures memories of the minimalist electronic delivery of SUICIDE or the art-punk vibe of CRASH COURSE IN SCIENCE. “A Silver Key Can Open an Iron Lock, Somewhere” is a cover of Switzerland’s LILIPUT, and connects OPTIC SINK’s sound to the icy pop of Northern Europe. There are elements of austere post-punk which draw parallels to bands like DELTA 5. While most bands are busy attempting to develop an overwhelmingly full sound, OPTIC SINK takes the opposite course and leaves vast expanses of audible space. Pop delivery is tempered with frosty dissociation, all while synthesized noises develop fresh euphonious environments.

Day Residue Deadly Walk cassette

Hailing from Detroit, DAY RESIDUE channels the feral sound that only the Motor City is capable of. Verging on hardcore, but full of untamed rock’n’roll energy, this cassette is a blast! Six songs that rip so hard it feels like a whirlwind. Gnarly riffs and ferocious drums run rampant through this cassette, while vocals deliver vicious personal diatribes. “Piss Paradise” is a sub-two-minute song that channels punk energy into a guitar-driven basement anthem. I fell in love with this album within the first 30 seconds, and I’m sure you will too.

Ovef Ow Vs. the Worm LP

Chicago art-punk band OVEF OW has been making noise for nearly a decade, and this recent release finds the group using their hallmark sound to create a new wave opera of sorts. Songs are creative representations of the reality of modern life as viewed through the lens of artsy detachment. Sounds that are reminiscent of riot grrrl bands twist together with late new wave to form a dance-worthy soundtrack. Music that creates a party-like atmosphere while lyrically dissecting society through a stream of consciousness is the hallmark of this album.

Off Contact Pearls Before Swine LP

This full-length is the perfect balance of post-punk and post-hardcore. Angular guitar work that sounds like it could easily be from a WIRE recording, combined with the song structures of FUGAZI. Elements of shoegaze and jazz filter through occasionally, allowing for shifts in tempo and weight. “Demonize” drifts from angst-driven post-hardcore to gloomy post-punk and back again in short order. It’s these interesting and imperceptibly smooth shifts that make this album worth listening to—a song evolves in the time of a single snare hit.

Aspect Noir Chaos Reigns cassette

This cassette from Cintas Taciturnas is a re-release of Finnish band ASPECT NOIR’s full-length originally released as a 12″ by the band in 2021. This cassette contains all the darkwave post-punk that ASPECT NOIR epitomizes and is beautifully printed and packaged. If you like moody, gothic sounds that feel as icy as a grave, then you’ll want to check this out. This eight-song album captures melancholic emotions while maintaining a sense of dignity like a phoenix from the flames. Lina’s vocals are haunting as they sing lyrics with a clarity that makes it impossible to miss the themes. For me, “Mean Again” is a standout song, as the message is something we can all find relatable at times.

Nameless Creations Plague Party LP

NAMELESS CREATIONS out of Warsaw, Poland recently emerged from their crypt after a four-year slumber to release the Plague Party album, and I couldn’t be happier. If you like CHRISTIAN DEATH, SHADOW PROJECT, or SEX GANG CHILDREN, then you’ll love this album. Macabre, gloomy, but rockin’ as hell, NAMELESS CREATIONS open this album with the title track “Plague Party” (there’s also a really well-produced video for the song), and continue the goth rock party for another nine songs that meander in a sort of stream-of-consciousness style, but also kick in where it’s needed. This is one of those albums that you’ll drop the needle on and soon find yourself wanting to listen to on repeat. Light some candles, put on your fancy black clothing, and dance along under the moonlight for best results.

Shrinkwrap Killers Feed the Clones, Pt. 1 LP

If you like the SPITS, then you’ll love SHRINKWRAP KILLERS. They play that brand of synth punk that uses electronic sounds as weapons of annoyance while heaping as much punk into the equation as possible. Conspiracy theory themes mix with the aural experience to shed light on real contemporary issues, albeit with a dystopian sci-fi slant. Imagine all of the most evil fictions becoming real—well, welcome to Planet Earth 2023, because it’s all playing out on our pocket computers and in the streets, and it’s this context that SHRINKWRAP KILLERS uses for artistic inspiration. Scorching guitars and chugging bass intertwine with the electro-noise to form an intimidating but witty production that is entertaining like a slasher movie, fun like a car crash, and hanting like an amusement park after dark. “Darwin Daycare” (a song about feral children surviving in a violent environment) is a prime example of the dark sense of humor that pervades this recording. If H.P. Lovecraft wrote punk songs, they’d probably sound a lot like this.

Children of Sorrow Another Indestructible Dirty Sound LP

Melbourne band CHILDREN OF SORROW existed for a short time during the mid-’80s and played moody hardcore anarcho-punk that bites similar to T.S.O.L. Thundering bass that struts and slams comes from a double layer of bass and fretless bass (that’s right, there’s no six-string guitar jangle in here), while vocalist David “Ossie” Eldridge unleashes a vocal assault that ranges from a Jack Grisham-sounding delivery to all-out hardcore mayhem. Songs shift from mid-tempo to lightspeed in the time it takes to blink. This 12″ is packaged with a lyric sheet and a four-page zine documenting the band’s history that includes photos and gig flyers. The thunderous bass and drum work is perfect for Neanderthal pacing, but when the speedy sections hit, you’ll need to be prepared for crashing into everything around you. Needless to say, this is a brilliant document of a lesser-known band that is worthy of a longstanding position in everyone’s collection!

Vulpess Me Gusta Ser Una Zorra / Inkisición 7″ reissue

VULPES or VULPESS (the second “S” added as a “fuck you” to the attorney general of Spain) were a very short-lived, all-femme punk band from the Basque region in the early ’80ss. Deliberately offensive, tongue-in-cheek chaos antics accelerated the band into the Spanish spotlight, only to find themselves quickly shot down with criticisms from various non-progressive factions. These two tracks are recordings of the band made after a television performance found the band embroiled in controversy. Originally 12,000 copies were sold, but until recently it has remained a rare recording. “Me Gusta Ser Una Zorra” is a snarky cover of  the STOOGES’ “I Wanna Be Your Dog,” with a sort of feminist twist on the lyrics and better musical arrangement (fuck those stupid sleigh bells!). “Inkisición” would later be re-recorded by the band in the early ’00s following the death of drummer Guadalupe Vázquez in 1993. Both tracks find buzzsaw guitars backing an energetic lyrical delivery and aggressive rhythm work. The vocal squeal on “Inkisición” sounds like tires burning out on a hotrod, and the frenetic musicianship throughout makes this 7″ addicting. The repress by Munster Records is beautifully packaged with a host of extras, making this recording well worth the small amount of coin it costs to buy. If you’re into punk oscura, then you’ll definitely want to escuchar.

Plot The Revenge LP

Philadelphia three-piece PLOT have just released The Revenge, their first full-length recording on MPLS Ltd. This six-track album kicks off with “I Have Your Slattern,” which is a tempo-shifting appetizer to the rest of the album, followed by “Peccadilloes,” an acoustic palate-cleanser of sorts that makes way for the meal of the album. “Bobbit Worm” features howling vocals over clipped and distorted instruments, and just when you think you’ve figured out PLOT, they throw down the darkened noise rock of “Eye Decay.” The gothic bend continues through the plodding, synth-heavy “Walk the Plank,” which decays into the dirty, bass-heavy “Slush Fund.” This album is an engrossing journey through unexpected directions which will leave you wanting more.

Trenchraid War Mentality cassette

TRENCHRAID is a Motör-charged D-beat band from the left coast of Canada who have just released their first full-length cassette. Twelve songs that pummel the skull with hardline lyrics about ecological disasters, the horrors of war, and endless suffering pull no punches as they come in a quick barrage. Having previously reviewed their four-song demo cassette last year, I can say with absolute certainty that this crew has grown into their aggro sound and fully refined their thematic devices. If you’re like a lot of the punk community and waking up day after day with ever growing rage, then you’ll find a comfortable home in this album. “Is This the End?” and “(Position of) Fuck You” are standout tracks for me, as they contain the highest level of F.O.A.D. mentality. Get this in you, and your indignation will feel fully justified.

Johnny Notebook & the 28th Century Mates Johnny Notebook & the 28th Century Mates LP

I’m a fan of punked-out synth rock, and JOHNNY NOTEBOOK & THE 28th CENTURY MATES epitomize the beeps and boops I crave. With head nods to DEVO, 8-bit sounds, and new wave, these Hamburg androids have created an album that keeps me bopping. Futuristic themes merge with retro sounds to create an album that has descended from another dimension of space and time. “Rate Me Rate Me” is incredibly danceable while exploring contemporary society’s fascination with clout, while “Dancefloor Queen” features a tight guitar solo and catchy hook. If you like electro-punk and all-night dance parties, then you have absolutely got to give this a go!

Pleaser Pleaser LP

Pleaser is the first full-length from these Danish punks, and it rocks. Included on the album is their previously released demo and single material, plus a lot of fresh tunes. Loud, quick songs that feature ripping guitar solos, thunderous drums, and passionate vocals may just hex you with their slight pop bite. “Light and Fire” is a B-side rocker that is sure to get you revved-up in short order. Only two tracks clock in over three minutes long (most are well below the two-minute mark), so you know PLEASER isn’t messing around when it comes to concise delivery. The closer “This is How I Die” reminds me of ARCTIC FLOWERS, and I’m here for it!

Advertisement Escorts LP

The second full-length by ADVERTISEMENT is a straight-up rock’n’roll album. Channeling glam rock, TELEVISION, ROXY MUSIC, and other ’70s guitar-driven sounds into a twisting knot of contemporary tunes, ADVERTISEMENT blends Escorts into an album that is easy for listening while maintaining a danceable nod. Your hips are guaranteed to start swinging when the rhythm of “Where is My Baby?” kicks in. Listening, you may find yourself laying on the floor, staring at the ceiling, with all your focus on the density of tonal content, all while allowing the dark, surreal, yet comedic lyrics to sweep through your synapses.

Alicja-Pop I’m Here I’m There / Not Gonna Be Dumb 7″

Guitarist and vocalist Alicja Trout has played with such luminaries as JAY REATARD, the CC RIDERS, and DESTRUCTION UNIT, and also still leads the RIVER CITY TANLINES. Needless to say, ALICJA is full of rock’n’roll chops. ALICJA-POP finds her leading a group of studio musicians on this two-track 45. “I’m Here I’m There” is a rock dreamscape with driving rhythms and jangly guitars setting the tone for ALICJA’s sugary sweet vocal delivery, while “Not Gonna Be Dumb” finds a more angular guitar tone backing and even more syrupy vocalizations. There is a PATTI SMITH vibe hidden in these two tracks, as well as some psych-rock reminiscent of the band WOODS. If you’re a fan of lo-fi pop with a garage rock feel, then definitely check this out.

Rot//Woven No Hope For a Better Past LP

Fiadh Productions has released a slew of gorgeously produced cassettes and records this year, and No Hope For a Better Past by ROT//WOVEN is among them. ROT//WOVEN plays crusty anarcho-punk with a healthy addition of melodic hardcore punk in the mix, creating an impassioned sound of indignation. Vocals range from all-out raging screams to a more traditional gravely punk delivery, with lyrical content including topics like abortion and women’s rights, human and animal liberation, and a big middle finger to the pigs. Sonically, ROT//WOVEN is a three-piece with fuzz-maxed guitar grinding, chunky bass riffs, and speedy drum breaks. “Sinking” is a ripper of a song that invites a more melancholic tone to the band and is reminiscent of CIRCLE TAKES THE SQUARE but with a predilection towards riffing. In all, a highly enjoyable first full-length from these Oregon punks!

Mononegatives Crossing Visual Field LP

This album is great! Speed-fed, first-gen-styled punk that is noisy, fast, and catchy. Imagine an even more caffeinated TOY DOLLS with the amps turned all the way up. Or maybe it sounds like A FRAMES with more tonal variations. Perhaps this is SPITS-worship, but without any schtick. Any way it gets chopped up, Crossing Visual Field is an absolute must-have in my collection.

Wet Specimens Over Pale Bodies LP

If you’ve spent any time on social media in the past couple of months, then you’ll know WET SPECIMENS have released this LP. However, if you spend most of your time in a cave or a catacomb, then you may be unfamiliar with this release, so let me give you a brief description. Brutally loud hardcore, complete with screaming guitars and bashing beats, combines with deathrock to form the WET SPECIMENS sound. Like if INTEGRITY decided to fight CHRISTIAN DEATH in a pit and the last standing members shook hands and formed a band. Over Pale Bodies represents several years worth of playing and recording, and is a complete artifact ready for rotation on your turntable.

Eastern Syndrome Brain Driller cassette

EASTERN SYNDROME, out of Berlin, Germany, features members of KOBRA and SUBSTITUTE. Their first release, this five-song cassette, is a heavy dose of darkened anarcho-punk that explores a wide spectrum of noise. From bopping post-punk riffs to wall-of-noise wailing, there’s a little taste of everything. The closing song “War Victims” arranges familiar sounds, tones, and rhythms into a rocking delivery that is unique and addicting.

S.G.A.T.V. S.G.A.T.V. LP

Synth-driven new wave and dirty punk rock combine to form a sound that skips the day-glo and instead fuels itself on frustration. After spending the past few years creating in Switzerland, S.G.A.T.V. has finally released a full-length LP, and it goes hard. From the opening track “Never Trust the Rich” to the closer “The Twilight of Infinite Loneliness,” you’re in for a fun trip exploring the depth of sole creative Severin Beerli’s feelings about the contemporary world. If the BOOMTOWN RATS mated with the EPOXIES, the progeny might come out sounding something like this.

Electrolytes Ultralyte cassette

Garage pop with big riff energy fuses with punk rock delivery in the chemical slurry that is ELECTROLYTES. Unpredictable musical twists and turns make this a very entertaining and interesting listen. Sugary-sweet synthesizer lines decay into aggressive guitar blasts, and all the while, ’60s-style crooning attempts to keep everything in order. There’s a no wave influence running through this cassette that is hard to miss, from the LYDIA LUNCH-esque vocal delivery to the occasional repetitious guitar bangs and noisome stabs.

Hope? Your Perception is Not My Reality EP

The hotly anticipated follow-up to 2021’s Dead and Gone cassette is finally here, and it fucking rips! Four tracks packed with even more crucial lyrics—Manda pushes the vocal limit beyond the brink, while the band plays an even tighter and heavier version of their D-beat-styled hardcore crust. Desperation and urgency are the strong emotional undercurrents that will pull you under immediately and get you slamming in short order. Opening with a brutal, beat-heavy treatise on gender politics, “The Patriarchy Must Be Destroyed” could be a standalone song, but there’s a lot more here. It’s followed by “Obey,” a warp-speed reminder of how fucked planet Earth really is. The B-side opens with “Take Back the Night,” a rocking tribute to punk life and a simultaneous decree of action. “Retrograde” closes out the disc with Kalvin throwing in just a pinch of psychedelic guitar that makes me want to listen all over again. If you liked the Dead and Gone cassette, then you’re going to love this 7”.

Manacles / Viimeinen Virhe split cassette

The MANACLES side of this split features four songs by the Lithuanian band that capture their hallmark sound, which is somewhere between raw punk and bass guitar-powered hardcore. The opposing side features five tracks by Finnish band VIIMEINEN VIRHE playing their style of D-beat hardcore. The split joins the two bands together like a perfect dystopian union: the similarities are there, but the unique differences of the bands is also highlighted. This might actually be one of my favorite splits in recent years, so give it a go!

 

Street Gloves Street Gloves cassette

Smashing drum machine beats combine with shredding guitars and equally shredded vocals to form an E-beat sound all its own. If you’re a fan of L.O.T.I.O.N. or SCUMPUTER, then you’re going to want to hear this. Pure punk indignation channeled through decaying wires and patch cables make this eight song tape an intense but enjoyable experience. Between the bashing, you’ll catch lyrics about animal and human liberation, destruction of the state, and a strong ACAB stance. If contemporary protests had a soundtrack, it might sound a lot like STREET GLOVES, so the next time you’re fighting the fascists, maybe pop this on.

Uzu Uzu LP

UZU draws its members from our global community, but calls Canada their homebase. Darkened punk fuses with lyrics sung in Arabic to create a sound that has an ancientness to it predating recorded history, as if UZU has been watching from the shadows for eons and has chosen now to deliver their message. Occult imagery blurs with contemporary struggles as the descent into the abyss accelerates. If your soul contains a dark patch, then you should definitely give this album a try.

Longings Dreams in Red LP

It’s been seven years since LONGINGS from Western Massachusetts have released material. Obviously, a bunch of shit has happened and the world is in a darker and more dire position, and all of this is very reflective in Dreams in Red. Opening with the raging, darkened post-punk of “Expensive Graves,” this album only builds into a level of aggression that begins to two-step a fine line between post-punk, hardcore, and post-hardcore. By the midpoint of the album, the squelching, squeals, and general noise level rips through desperately angry songs with earworm lyrical accuracy that will run endlessly in your mind for hours like mini protest chants. There’s a heaviness to this album that is only attained by staring into the decaying void of our present reality and refusing to descend further into it by shouting, screaming, and fighting.

Whisper Hiss Shake Me Awake cassette

Portland, Oregon, garage pop quartet WHISPER HISS recently released the Shake Me Awake cassette, their first proper full-length. Rocking similarly to DC band SLANT 6, and with familiar harmonies that recall sounds from BLONDIE and the EXPLODING HEARTS, it would be silly to not give this tape a try. Poppy as all get-out, Shake Me Awake slides around the rock spectrum with bits that surf and meld with fuzzy-toned edges. “Trouble in the Mansion” feels like a dystopian dream from the ’60s, then “Party Dress” kicks in with a sort of riot grrrl bend. In all, it’s a good time through and through.

Allusion Allusion demo cassette

This demo cassette from French punks ALLUSION features four viciously raw, D-beat-heavy hardcore punk tracks on the A-side, with even more abrasive versions of the same program on the B-side. It’s evident from the first thirty seconds of both sides where ALLUSION draws their aggression from. Be ready for pummeling drum breaks, distorted guitar leads, and barking vocals on whichever side you choose to play.

Fashion Change Smoking Kills flexi EP

To say “I like this three-track flexi” would be a total understatement, because I fucking love it! Effect pedals randomly turn on and off with harsh feedback, but it’s a welcomed addition to the whirlwind of hardcore fuckery that’s taking place on this disc. Chaotic, noisy, and pissed-off: Smoking Kills sounds like you allowed a crew of drunk, primordial beasts to play a basement show at your house, and now they’re using their instruments to tunnel out. Cathartic as fuck—we all have those days when this disc could be crucial sonic ammunition.

Astio Bocche Stanche 12″

Italian band ASTIO calls Trento (a city in the foothills of the Italian Alps) home, and they create haunting, riff-heavy punk that stomps and pogos. Bocche Stanche is a six-song 12” that would be a welcome addition to almost any record collection. ASTIO uses this release to give a tutorial on how to shred while also creating a groovy enough environment that the inclusion of saxophone is totally welcome! The vocal delivery has a raw but not overly abrasive quality, while the rhythm section is featured pretty forward in the mix and is the total heart of this groove machine.

Glittering Insects Glittering Insects LP

This album by Georgia psych-rockers GLITTERING INSECTS starts out with some jazzy guitar noise à la LIGHTNING BOLT, continues into something that sounds like early NIRVANA, and then goes full jazz with the addition of horns. This is all followed up with something that sounds like PUBLIC IMAGE LIMITED. Around the midpoint of the album, a pair of driving rock tracks emerge with a heavy DISCHARGE flavor. As if all this wasn’t enough, there are dreamlike, shoegazing psych-rock moments interspersed throughout the album. “Obscure World After Death” is an absolute killer song. In all, this album is an eclectic collection of sounds that have a surprisingly smooth flow which you’ll be hesitant to interrupt.

Pandemix Love is Obliteration LP

For me, the all-angle, multi-vocal barrage is what keeps me listening to the latest release by PANDEMIX. With punk-as-fuck lyrics coming from every direction while the band smashes forward, it’s difficult to quit. “Pigs At the Trough” and “Scorched Earth Policy” are absolute bomb blasts of hardcore punk that’ll get you head-bobbing in swift order. A little more refined than previous releases, both in production and musicianship, Love is Obliteration still retains a healthy amount of hiss and noise.

The Domestics East Anglian Hardcore LP

The DOMESTICS put a brand stamp on their specific style of hardcore with this release, like putting the best elements of old and new school hardcore in a blender: fast, raw, and brutal. Guitar solos are often stripped to just a quick pick slide before the vocal attack returns. “Purchases” and “Falling Apart” are both killer songs with interesting structures and tidy musicianship. If you like hardcore, then I guarantee you’ll like this.

Nouveaux Nouveaux LP

If you’re desiring some melancholic, synth-driven post-punk, then maybe give Vancouver’s NOUVEAUX a spin. This full-length draws inspiration from a variety of musical spaces and mixes them into a haunting, brutalist approach to pop. Like a cold, grey monolith, each song builds a heavy foundation upon underground ’80s music scenes. You’ll soon find yourself wanting to vogue while you’re gently reminded of our bleak future.

Guardian Singles Feed Me to the Doves LP

Raucous alt-rock or witty, angst-driven post-punk are two of the pigeonholes I might jam the latest full-length by GUARDIAN SINGLES into, but either would be a square peg in a round hole scenario. The garage static and fuzz from previous releases is left behind in favor of articulate songwriting and big bop energy. Lyrically, this album navigates our contemporary universal struggles with poetic appeal. Sonically, this album drifts from backcountry rabble-rousers to soft, drifting, emotionally evocative ballads. With all its variation, articulate writing, and relatable material, this album is easy to keep on repeat.

Fully Evacuated Forget We Said This cassette

FULLY EVACUATED is a band from Southern California that explores the sounds of garage punk with a proclivity towards psych-rock and proto-punk. There are familiar elements that harken to bands like the VELVET UNDERGROUND, the CRAMPS, and even HICKEY. Songs start and end unexpectedly, and even jangly guitar solos are cut short, which creates a final presentation that uses the sounds from the past with little respect or regard. Kinda punk rock. “Haunted Beach” is a really sick surf track.

Zbombardowana Laleczka Jarocin ’85 LP

This album is a documentation of a gig played in Jarocin, Poland in 1985 by ZBOMBARDOWANA LALECZKA. Raw anarcho-punk merges into the hardcore lane without signaling, occasional psychedelic guitar fills a small gap in time, and you’ll find yourself bouncing to the primitive but tight rhythm section. The spirit of a “live” performance carries through on the recording and gives the songs a presence of a time and a place. At times it’s possible to hear the kick drum reverberate with the walls of the club as the crowd stomps and shouts along. ZBOMBARDOWANA LALECZKA created a style of punk that jams hard, unafraid to explore repetition, without getting too noodly, which makes for great background music or a full-on listening experience.

Paranoia Pain & Pleasure LP

The Pain & Pleasure LP by PARANOIA is a compilation of songs from cassette tapes that were originally only available directly from the band during the mid-’80s. PARANOIA plays a type of punk rock that is heavily influenced by goth and post-punk, and at times even explores the prog rock field. There are portions of this album that remind me of PENDRAGON or other prog bands that used fantasy-based fiction to create sonic environments. Looping riffs that seem to continue endlessly before exploring another, while vocals explore lyrics about swords, battles, and other medieval imagery.

Body Maintenance Beside You LP

It’s not often a post-punk band is able to find a groove and ride it to the precipice. BODY MAINTENANCE from the United Kingdom is able to find a groove quickly and jam their icy guitar work into the darker corners of rock with their danceable rhythm section. KILLING JOKE meets the SMITHS in a back alley rumble: cold, spacy, and full of hard-hitting twists.

Toxic Rites Toxic Rites demo cassette

TOXIC RITES have a sound based solidly in the anarcho-punk tradition with a similar delivery to CONFLICT or ACTIVE MINDS: straightforward punk rock with all the speed and aggression intact. Lyrically, TOXIC RITES uses logic-driven dialogues to progress ideas about social, economic, and environmental concerns. Check out the song “Modern Nightmare,” it rocks hard and is as honest a message as you’ll find these days.

Cierń The Emperor Rx LP

The Berlin punks of CIEŔN have discovered the secret to darkwave punk rock by featuring chunky, dirty bass guitar so far forward in the mix it creates an instant need to dance, while the vocals deliver real messages in whispers, shouts, and harmonies. The lead guitar occasionally drifts far into space but returns with a stabbing vengeance to highlight key lyrical moments. There are a lot of “influences” that I hear on this album and naming a few would belittle the wealth of it, so check it out and find out what you hear. I definitely recommend the song “Glass Houses.”

Inyeccion Vicio EP

Creeping, raw, and vicious is how I’d shortly describe INYECCION’s sound. Hailing from Chile and Argentina, these punks create a form of hardcore that is an absolute blast to listen to. Bashing drums, chaotic vocals, and grinding guitars are perfectly arranged to create a form of punk crudo that I want more of. This EP maintains a similar sound to INYECCION’s earlier demo, but with a tighter and more refined presentation. A collaborative release between Barcelonian label Discos Enfermos and Japanese label Record Shop A-Z, this EP is well worth adding to your collection as the packaging is a work of art on its own.

The Passengers Coming Down / What Lasts Forever 7″

This lathe-cut 7″ is the latest single from San Diego’s the PASSENGERS. The tracks sound like a continuation of their 2021 full-length Under the Cruel Light: emotionally charged, synth-heavy goth rock with catchy, deep-end crooning. The two songs offered on this record are much the same, with layers of synth playfully dancing with drifting and distorted guitars. The baritone bass vocals are featured right in front and help to balance the tonal range. Both tracks are totally danceable, and either would make a great addition to your favorite gothic playlist.

The Dark Dressing the Corpse LP

The songs on this album were recorded by Cleveland punks the DARK in 1984. If you like T.S.O.L. circa “Code Blue” or early MISFITS, then you should absolutely listen to this album. The riff-heavy, freakout-style hardcore blends seamlessly with the deathrock atmosphere and creates a haunting realm similar to partying in a cemetery after dark.

Cran Natë LP

CRAN is a Parisian punk band that infuses their sound with a heap of Oi! and a little bit of post-punk. The resulting sound is reminiscent of a dark VICE SQUAD, or more similarly, contemporary fellow countrymen COLLISION. The song “Ad Vitam” has a slow opening that quickly jumps into overdrive only to close out with a slow, vicious beating. The gang vocals on “L’Amour” invite a communal feel while delivering a scathing treatise on the realities of love. This album is as equally strong on instrumental technique as it is on thematic content, making it easy to play on repeat.

Adrenochrome In Memoriam LP

ADRENOCHROME from Oakland just released their first full-length, and it’s a burning gothic pyre from the opening howl to the closing chord. Downtuned, darkened songs that draw the listener in with aggressive riffs and catchy lyrical delivery. The powerful punchiness of punk rock rhythm fused with flanging, cold guitar work creates a deathrock album that is sonically interesting. There’s quite a bit of pop sensibilities at work on this album as well: Gina Marie has a vocal delivery that utilizes a vast range without drifting into full-on screaming and shouting. This album seems to move from strength to strength as it progresses through each song, gaining momentum and indignation with each pass of the needle. The final song “Celebration” wraps the album up like a ritual.

Horrendous Cutthroat System Horrendous Cutthroat System demo cassette

This demo cassette by HORRENDOUS CUTTHROAT SYSTEM is four songs (about one minute each) that push the limits between noise and hardcore. This two-person operation emits a powerful blast that is full of rage and menace while still remaining fun to listen to. Like D-beat dis-rocker noise that worships HANATARASH while shotgunning beers over lines of cheap speed. This shit rips and I want more.

Terminal Filth Death Driven LP

Crashing cymbals, guttural and nearly blackened-style vocals, gnarly hardcore breakdowns, and impossibly swift rhythm shifts make TERMINAL FILTH the current masters of international-style hardcore/stenchcore. This full-length is jammed with some heavy-hitting material! The band calls Berlin home, but they recently played in Portland, Oregon, so I’m hoping to see some more US dates develop. For me, this is worth seeing live. If you’re in the mood for heavy, metallic crust, then definitely check out TERMINAL FILTH and grab one of these LPs.

Toilet Rats IV cassette

Poppy, noisy, synth-driven punk about ghosts, cryptids, conspiracy theories, and horror movies is a rapid summary of what Tommy Ratz of TOILET RATS does on this cassette. I would also describe this album as a romp through various levels of layered-up electronic fun. The instrumental delivery occasionally reaches epic levels, while the vocals croon and snarl in familiar ways. The song “Drug Bird” reminds me of a post-RAMONES Dee Dee side project or something generated by the SPITS. Then “Oskar & Eli” hits in a way that early 2000s pop punk does, finished out with “Walk the Earth,” a zombie-themed, darkwave toe-tapper—yes, please. Give me more.

Tàrrega 91′ Fill De La Merda EP

TÀRREGA 91′ is a band from the small town of Tàrrega in Catalonia. Their speedy, skate-friendly brand of hardcore is played in honor of a 1991 riot in which 86 youths were detained. Blasting like some of the best hardcore punk bands of all-time, TÀRREGA 91′ manages to blister their way through three fast songs, only to close things out with a welcomed mid-paced pummeler that uses all the primordial power hidden in those tom drum fills. Play on repeat and you’ll be stomping in circles, pissed-off and ready to butt heads. This is that authentic anarchist hardcore that primes the synapses for anything and everything.

Nag Human Coward Coyote LP

If you’re looking for straightforward hardcore or punk, maybe look elsewhere, but if you’re in the mood for that creepy, kind of surreal, Outer Limits-inspired punk, then stick around. NAG from Atlanta, Georgia released Human Coward Coyote earlier this year as a fresh addition to their growing catalog. This new album pushes the punk element deeper with a bit more raw production and in-your-face drums. If you’ve ever enjoyed the work of A FRAMES, then you’ll like this. There’s even elements that remind me of the ADOLESCENTS and a bit of AGENT ORANGE. Overall, it’s a fast, fun blend of darker punk interspersed with some intergalactic noise.

Can Kicker Can Kicker LP

CAN KICKER from Cardiff has a sound that is primordial but also immediately transportive. Stabbing, fuzzy guitar intermittently blasts through the powerful rhythm section that creates the propulsion behind Luke Penny’s poetic vocal delivery. The second song on this LP, “Disassociate Now,” is aptly titled for its effect and lyrical theme. CAN KICKER seems to be one of those bands that uses the basic punk devices to create a world that is uniquely their own, while also being an inviting space to spend some time. The closing song, “Stupid Game Part II,” is the only song that seems to break the formula of the album’s other songs, almost like an alarm waking the listener back to reality.

Unarmed World of Shit EP

It boggles my mind that this four-song 7” opus was originally recorded in 1998. For over twenty years, it was sitting on a shelf somewhere, aging, waiting to be unfurled. The instrumentation forms a Neolithic-styled D-beat assault, while the guttural vocal delivery blends and balances to form a brutal wall of blasting crust. UNARMED forms a sound that is so dense and heavy that it’s difficult to make a comparison, except maybe to say it’s monolithic. This edges heavily into the extreme category and occasionally crosses the metal border with indifference. “World of Shit” grinds along with a quick guitar sizzle towards the end, but is then followed with the very Motör-inspired “Your Dream.” UNARMED seems to focus more on heavy delivery than technique while occasionally allowing their refined technical skills rise to the surface. This is also one of those EPs that does the thing where the band buries their most skillful songwriting on the backside. Honestly, I could listen to this one on repeat a lot, and never find it tiring.

Alternative If They Treat You Like Shit, Act Like Manure LP reissue

Rolling bass lines and protest-style drum beats combine with jagged guitar work to form songs that are reminiscent of other Crass Record bands, but with something a bit different. Pete Wright, bassist and vocalist for CRASS and ANNIE ANXIETY, assisted with the production and performed backing vocals on the original 1985 Corpus Christi Records release. ALTERNATIVE plays like the distillation of Crass Records; as if all the indignation, thematic content, and musical experimentation were concentrated and then finally released. This album as a whole is an adventurous sonic ride with various sound samples creating introductions and conclusions to songs that shift time and rollick freely through a world of criticism, warnings, and encouraged introspection with the summation being that the real revolution begins with the self.

Romansy Doves of Peace and War cassette

This four-track cassette by Melbourne band ROMANSY kicks off with a hardcore ripper in which the vocal delivery sounds somewhere between barking and vomiting. The instruments are tight with stop/start buzzsaw guitars and drums, but tend to blend to form a sort of harmonious bullet. ROMANSY rips through the second song in 44 seconds, but then they get a little weird with the third song. “Fucking Flower” is my favorite track on this tape. The additional vocal and guitar modulation/distortion makes for a strange but fun sonic environment while the “breakdown” still goes hard. Expect everything by the forth song, “(Introduction To) Fang Lives,” opening with synth and then finally emerging as another hardcore song, but with none of the frills, finishing like a dystopian acid trip of the worst kind.

D.O.V.E. D.O.V.E. LP

D.O.V.E. plays that jam-laden style of anarcho-punk that explores riffs as much as societal criticism. Sure, there are portions of this album that are “heavy” and “fast,” but there’s also a lot of instrumental and vocal experimentation. Most of the songs on this album are well over the three-minute mark, without including any sort of outside audio sample. In fact, I don’t believe there are any samples used on this album, which in 2023 is a rarity of its own. If I had to compare D.O.V.E. to something, I’d say something like HONEY BANE, but with more willingness to embrace the jam, or maybe a more chilled-out PERMACULTURE.

Komplex Viny Suita Pro Nové Konce EP

KOMPLEX VINY is a band from the Czech Republic that plays some killer crust punk tunes. The powerful vocals are backed with furious but complex riffs and smashing drums. This is one of those 7″ records you can spend hours listening to over and over again. Each song is unique, so KOMPLEX VINY avoids the trap of writing songs that all sound somewhat similar, and the sound is something totally exclusive to these rockers. If I had to compare KOMPLEX VINY to other sounds, I’d hazard to say it’s all of the best global crust noises distilled into a palatable but commanding recording. There are familiar riffs and fills, but KOMPLEX VINY also manages to reshuffle certain elements to create a very refreshing presentation. The song “Dno za Dnem” even manages to fit a bit of Oi! into it without going full gang vocals. Overall, I highly recommend this one!

Sørdïd Sørdïd demo cassette

From 2011–2013, I spent an exorbitant amount of time going to NYC gigs that featured offensively raw hardcore punk. Bands like BORTGANG, ZATSUON, and PERDITION were an average night out, so to say I like SØRDÏD would be a total understatement. This demo sounds and feels like a subway train disaster, which is exactly how I’d expect it and want it. The guitar has that sound of having dumped a bowl of Rice Krispies and angry locusts into the monitors, while the rhythm section keeps the entire project from thrashing itself apart with heavy bass delivery and annihilating beats. The opening track “Blankhead” features a guitar solo that is relatively clean, but also incredibly grimy. The final track of this demo, “Idle Hope,” closes with a sound sample that could easily be ripped from a CRAZY SPIRIT track, and puts a heavy exclamation point on the statement SØRDÏD makes with this demo.

Crime of Passing 2017–2020 cassette

Welcome to the synth/noise-laden post-punk world of CRIME OF PASSING; a combination of members from the DRIN and the SERFS. Hailing from Cincinnati, Ohio, CRIME OF PASSING occasionally calls to mind fellow Ohioan MY DEAD IS DEAD. The amount of synth packed into this cassette is deep: drone tones, electronic drums, and harmonious keyboard runs. The song “Eleventh Hour” manages to squeeze in some saxophone, which only encourages the feeling of bummed-out gloom. “Dancing Prick” has a very CURE-ish riff and vocal delivery, if you’re into that. Towards the end of the cassette, “Don’t Turn” kicks off with a lo-fi drum machine beat that initially reminded me of HE SAID, but when the vocals kick in, it’s an ireful delivery more reminiscent of SIOUXSIE AND THE BANSHEES. If you’re a fan of dark-spectrumed post-punk with a barrage of electronic instruments, then I highly recommend this cassette.

Nagazaki Planeta//Carcel cassette

Bogotá, Columbia has produced some of the best noisy, aggro punk, and NAGASAKI is the latest premium example. If you like noisy, fuck-it-all, crashing raw punk, then you’ll want this cassette. With vocals that sound like they’re already destroyed from roaring against the system, bass lines that sound ripped from DISCLOSE, and guitars that crackle and grind, you’ll find yourself nodding along to these four songs of indignation. The guitar on “Reflejo” soars beautifully through the composition with a style that is similar to Randy Uchida’s. If you’re a fan of punk crudo and you haven’t heard NAGAZAKI yet, then wake the fuck up with this cassette!

Unknown Liberty Chain of Madness cassette

The artwork on this cassette doesn’t really convey the experience you’re in for when you listen to UNKNOWN LIBERTY. My initial expectation was anarcho peace punk, but when I pushed play, I was immediately rewarded with some loud, rough-hewn punk with no care for song structure or musicality. This isn’t straight-up “noise not music,” but more like hardcore punk played by hellions that care, but want to annoy. The six tracks that comprise this cassette are over and done with before you’re ready, so expect to push play again. “Science of Violence” is perhaps my current favorite song off this cassette. The start of it sounds like the band is trying to find the ideal rhythm. Once it comes together, the guitar wiggles around amongst the bass chugging and drum pounding, while the vocal delivery is caustic and baleful. If you’re into punk that jumps in unexpected directions and has the sound of an angle grinder running over a two-stroke engine, then you’ll be very pleased with UNKNOWN LIBERTY.

Estorbo Estorbo cassette

I like this cassette a lot—bass-driven, noisy, chaotic, raw punk sung in Spanish that makes me want to pogo, two-step, and otherwise act a fool. Only two songs on this ten-song cassette clock in at over two minutes, so you know ESTORBO isn’t messing about. Sonically tight, ESTORBO rages and smashes through songs with intricately crafted instrumental sections all played with just enough slop to give the feeling that it was recorded live. “En la Cruce” is one of the slower-paced songs; the chugging guitars, crashing cymbals, and stomping bass connect my primordial mind to my body and get me moving almost immediately.

Absolute Order? Arrrgh EP

ABSOLUTE ORDER? brings quick, tight, pogo-able punk to any party with the Arrrgh EP. Five songs (four originals and a cover), bashing and chugging their way in a UK82 style. There is something here that is very different from what most people would expect from something described as UK82, though. There’s an element of play in ABSOLUTE ORDER? that is less hardcore and more like something the TOY DOLLS might deliver, a sort of humorous outlook on the dark lyrics. The song “Blink of an Eye” is perhaps the darkest of the bunch, with lyrics critiquing our collective misuse of Mother Earth, but then ABSOLUTE ORDER? heads right into a blasphemous cover of “Barbara Ann” that is definitely meant for fun. Overall, an enjoyable spin.

Möney Boiling Wells cassette

MÖNEY is a band from Bristol who play a gentle form of post-punk. Softly strummed and picked guitars merge with atmospheric synth work and chunky bass lines to create music that is palatable enough to play for nearly anyone. The fourth song on the cassette, “Happiness,” has a couple moments that almost sound like surf rock, but then quickly dissipate into more standard post-punk tones. The final song “Wrong Way Home” opens with a more aggressive guitar sound, but then turns almost dirge-like and with a slight desert sunburn. I’d probably put this album on to fall asleep to; I’m in no way implying this album is boring. The softness, depth of sonic field, and slight melancholy cause almost immediate disassociation and relaxation. Absolutely worth at least one listen.

False Figure Castigations LP

Normally, I’m a huge fan of anything goth and darkwave, but this album just did nothing for me. The music is good, the production is fine, there’s just something missing. It kind of reminds me of the HUNT, but the vocals aren’t as looming. There are definitely moments of the CURE, a touch of CHRISTIAN DEATH, but nothing that screams “This is a keeper!” I’m sure there are people that’ll love this album, but I’ll personally keep looking.

Hiatus From Resignation… LP reissue

Crusties arise! HIATUS (Belgium’s answer to all things crust) has reissued their 1993 debut LP. The grinding buzzsaw guitars are enough to keep me coming back for more, with distortion levels creating a tone that is rarely heard. The opening of “Purulent Stench of War” would be an example of one such noise, almost more of an electric crackle than anything musical. The drum work is fast and tidy, with speedy fills galore. Like most crust, vocals range from some spoken word to all-out barks, with the occasional guttural howl let out for good measure. In all, a splendid bit of aggro anarcho tunes ready to join your collection.

Sentido Común 1983–85 LP

This is perhaps one of the more interesting releases I’ve come by in a long time. SENTIDO COMÚN was an anarcho-punk band from Barcelona who played a brand of music that is completely unique. Imagine (if you even can) HONEY BANE growing up listening to Spanish radio, and you’ll be halfway to what SENTIDO COMÚN sounds like. They retain the typical anarcho-punk formula, but there are also glimpses of traditional Spanish music through the wall of sound. Occasionally, there is an almost flamenco quality to the music, without actually being anything like flamenco. The vocalization on this LP is also very interesting, ranging from cool singing to animalistic squawks.

B.E.T.O.E. Civilización flexi EP

Crashing cymbals, blown-out vocals, shredded guitar, rumbling bass, punk crudo at its best! B.E.T.O.E. seemingly wishes sonic demolition upon all of the broken systems that mire our world. The production of this flexi yields some of the most listenable B.E.T.O.E. material for me. A slightly cleaner sound, not quite spotless, approaching a high-end studio sound but still retaining enough noise to sound like it came from the sewers of Barcelona. This is still some noisy, smash the system/smash everything rawness. This three-song disc clocks in well below six minutes, with each track offering intricate musicianship and composition in a miniscule amount of time.

Hævner Kaldet Fra Tomrummet LP

This is the type of music I’ve been seeking for years: a blend of raw punk and post-punk that is dark and hardcore. Noisy flanged guitars, powerful vocal delivery, driving bass lines that keep going, and smashing drums, all combining to form a threatening and ominous sonic environment. I mentioned this release to a trusted friend in Berlin who immediately said “HÆVNER is awesome live.” Being a reliable friend, I fucking believe it. I can only imagine how this must translate to a concert setting. While being raw, it’s also very danceable with big rhythm energy. I’ll definitely be dancing along for a while.

Infra Riot Still Out of Order LP reissue

This out-of-print long-player, originally released on Secret Records, has finally been reissued and is sure to satisfy all of the bootstompers out there. INFA RIOT played Oi!-infused punk complete with gang vocals. It’s a similar vibe to their contemporaries the OPPRESSED or UK SUBS, with the boys of INFA RIOT using the elements of Oi! to amp up the anger of their punk rock by creating bigger choruses and heavier instrumentation. This LP certainly had a massive influence on later street punk bands, and moments of it can even be heard in contemporary Oi! bands like BATTLE RUINS.

Glaas Glaas cassette

GLAAS effortlessly blends equal parts punk and darkened post-punk to create an energetic sound while maintaining an ambiance of melancholic dismay. Vocals sound like they’re screaming from the bottom of a pit while the guitars and drums want to continually attempt to bury them. The punk influence seemingly draws from a 1977-style revival sound like the HATEPINKS, but it’s all filtered through the post-punk of JOY DIVISION. A sort of beautified noise annoys approach that pairs well with a pint or a molotov.

Killing Frost The Declaration of W.W. cassette

With a name like KILLING FROST, I was expecting some CELTIC FROST worship—that’s kind of what you get with this release from these Finnish rockers, but there’s also a whole lot more. Prepare yourself for an extensive auditory journey when you put on this four-song release, as you’ll be treated to a vast amount of underground sounds, from doomy, slow, sludge work to fast-paced thrash, and no scheduled stops in between. The final track “Killing Frost ” seems to approach the band’s pinnacle, with a sound similar to ONSLAUGHT stirred together with AGE OF COLLAPSE: heavy drum work, soaring guitars, ethereal organ, and powerful vocals. Definitely put this cassette on if you’re in the mood for something dense and a bit different.

Angustia Espiritual Angustia Espiritual cassette

The album art on this cassette calls to mind RUDIMENTARY PENI, but Costa Rica’s ANGUSTIA ESPIRITUAL carves a sound out that is all their own. Playing more like a noise-injected 45 GRAVE, this self-titled EP has a production that is neither dense or sparse— instead, they offer a wall of sound that is interspersed with enough breaks to allow the creepy feelings to settle in. No haunting organs or synths, but replaced with slippery guitar and bass that slink around Amanda’s vocals. The closing track “Letargo” is perhaps my favorite, as it really highlights ANGUSTIA ESPIRITUAL’s deathrock sensibilities.

Icons of Filth Not on Her Majesty’s Service LP reissue

In my late teen years, I had a friend who was obsessed with ICONS OF FILTH. I was relatively new to anarcho-punk at the time, so I was given digital files, mixtapes, and even loaned a 7″ for about a week. Needless to say, Not on Her Majesty’s Service became a sort of beacon, guiding my tastes to more sonic extremes. Originally a cassette release, it’s now reissued (for the second time) on vinyl with a previously unpublished photo of the band. ICONS OF FILTH were comrades of CRASS and CONFLICT, but their sound is strongly in the UK82 spectrum with noise-level guitar distortion, heavy drumming, and an unwavering hardcore ethos. Don’t expect artsy anarcho/peace punk, but rather something more like CHAOS UK or GBH.

Newtown Neurotics Beggars Can Be Choosers LP reissue

The opening of “Wake Up” reminds me a lot of THATCHER ON ACID, but then the sounds shift into a guitar-forward production that sounds like a slightly downtuned UNDERTONES or even BUZZCOCKS. A heavy infusion of pop, but with a fully punk rock delivery. Lead singer and guitarist Steve Drewett wears his anarcho-syndicalist badge proudly with lyrics about working class problems and the failings of our public education systems. “Get Up and Fight” is a resistance song that outlines methods of struggle that are as equally crucial now as when the song was originally written. In all, this disc plays like a really pissed-off BILLY BRAGG or JOE STRUMMER.

Hysteric Polemix Hysteric Polemix demo cassette

Noisy without being noise music, overtly political without being preachy, Brooklyn’s HYSTERIC POLEMIX’s demo cassette reminds me of CRASS’s Penis Envy as filtered through post-punk. Danceable bass lines abound on this recording while the flanged guitar soars around. “Urtication” and “Saturn Square Uranus” are both sung in Portuguese, which seemingly increases the impassioned vocalizations.

Feral Kids Feral Hits! 12″

This recording opens with a soundbite lifted from Mad Max to let you know this is the music you’ll play while causing chaos in your Durango 95 (no apologies for these mixed movie references). Classic thrash metal for ne’er-do-wells, FERAL KIDS offer big lead guitar riffs, raucous vocals, and that sound that only comes from being a part of the road crew. The song “Dusty Breeze” is about as chilled out as FERAL KIDS get, and even then they’re still shredding and thrashing.

L.O.T.I.O.N. W​.​A​.​R. in the Digital Realm LP

The Valhalla of my sweetest dreams looks something like a dust-filled warehouse in which survivors of the apocalypse mutually exchange their wares, spoils, scavenges, and excesses. At the center of these festivities is a massive circle pit. Spiraling layers of punks, ravers, goths, heshers, and other survivors each dancing their own individual dance. The bass-heavy music filling this sacred hall is L.O.T.I.O.N. MULTINATIONAL CORPORTION’s W.A.R. in the Digital Realm on repeat, ad infinitum. Sure, there are a million reasons to hate this album, from having too many capitalized letters and periods, thereby making it a real bastard to type when searching online, or the insidiously infectious pop dance drivel of “Cybernetic Super Lover,” but somehow I keep coming back to this album again and again, Pavlovian-style. If you have no idea what I’m on about, imagine a talented  Sakevi Yokoyama impersonator singing over a perfectly orchestrated mashup of WHITE ZOMBIE, MINISTRY, DISCHARGE, and ’90s rave music. The good news: this album makes for a great entry point into the world of L.O.T.I.O.N. The bad news: you’ll find out when you play this.

Trenchraid Demo 2022 cassette

This is the kind of hardcore punk that I wake up for on a daily basis. Between the breakneck guitar work and the raw (not tough guy) vocals, this cassette rips! TRENCHRAID borrows from classic D-beat, but also manages to mix in enough old-school hardcore to create a hybrid that is somewhere between ANTI CIMEX and YOUTH OF TODAY. Plenty of catchy sing-alongs all backed with high-powered instrumentation make TRENCHRAID a perfect soundtrack for your high-adrenaline activities.

Collision Sur Les Trottoirs LP

COLLISION is a French band from Nantes who embrace their native tongue and write really catchy songs. Sounding like something that could have come out during the heyday of Lookout! or even a RANCID side project, COLLISION is able to fill a void in many people’s collections. Blending elements of Oi!, punk rock, and even a bit of two-tone into a raucous good time, COLLISION is contemporary rock’n’roll. I found Sur Les Trottoirs to be a nuanced album, but also something that brought to mind bands like CRIMPSHRINE, OPERATION IVY, and BRAIN FAILURE, while the French lyrics made everything fresh and just a little more interesting. Some downtuned moments of flanged guitars bring in a very minor element of post-punk darkness which only elevates the feelings of melancholy and angst swirling on this album.

Strach Strach LP

STRACH hails from Berlin, Germany and plays metallic anarcho hardcore. Elements of stenchcore combine with brutal breakdowns to make this album a pummeling music experience. Heavy music and lyrical content throughout the entirety of this album will stoke the fires of your discontent. Fans of MURDERESS and FATUM take note, this album is a must-have. The song “I Shit on Your Country” pretty much says everything you need to know.

Eater Outside View / You 7″ reissue

Formed in 1976, EATER was there in the early days of this thing called punk. They were the kids on the block (with ages ranging from fourteen to seventeen) who managed to gain the respect of the DAMNED and the BUZZCOCKS to such a degree that both of those bands opened for them at various gigs. In their day, however, they were considered average, even “run-of-the-mill”—but here is why that conception is not entirely correct, and why this reissue is such a critical piece of ephemera. Reason one: I wish at the average age of EATER I was in a band of peers capable of creating such a passionate and refined piece of sonic history. Number two, I don’t know if it’s the age of the band or if it’s the hindsight of time, but EATER sounds far ahead of their time, as if EATER’s youth gave them the ability to play with greater intensity and an authentic fuck-all attitude compared to their contemparies, and these characteristics and attitudes allowed them to accept and even accentuate the rawness of their art, thus creating a work that is so far ahead of its time that I could play this EP for someone and they’d guess it was a recent recording. I would even hazard to say EATER is more articulate and culturally relevant than some of the stuff that goes around saying it’s punk rock nowadays. “Outside View” is a rhythm-heavy romp of pogo-able, pop-tinged lyrics about the struggles of being working class. Chunky bass guitar lines with quick runs abound on both tracks, the guitar work is often light and jangly with a slight delay or decay giving it a mild ambient effect, the drums are kept snappy with quick fills, and the vocals have a sound that is only achieved by having more passion than Johnny Rotten and having breathed in more mill soot. This is one of those discs you flip over and over endlessly as both songs are completely infectious

Omega Tribe New Peace Movement CD

I wanted to like this album. I mean, I really wanted to like this album. No Love Lost and Angry Songs are in my personal music archives for a reason. I gotta say though, I did not care for this album. “Ain’t Gonna Let Em” is a decent song, and there are moments on the album that reminded me of things like TOM ROBINSON BAND, CHUMBAWAMBA, and even early BOWIE. However, there are not many “angry songs” on this album, and instead a bunch of hippy-dippy songs. I’m serious, like “Aquarius/Let the Sunshine In”-type stuff. This is absolutely not my bag of grass.

Hope? Dead & Gone cassette

This release came out over a year ago, and if you haven’t heard of HOPE? or witnessed them live yet (as they’ve toured quite extensively), then it’s time to stop sleeping on this Portland quartet. Grinding rhythm guitars, chugging bass, pummeling drums, earnest near-spasmodic vocals…HOPE? has everything you’re looking for when it comes to crusty, D-beat hardcore. Nine songs that give the feeling of standing next to a passing freight train at full speed— HOPE? has a powerful sound that is unique, articulate, and creative. Drawing their source sound from the very depths of the D-beat well, HOPE? plays more like ANTI CIMEX or RIISTETYT rather than later, more noise-oriented acts. Lead singer and band visual artist Manda uses this souped-up rock’n’roll hog to deliver harsh social criticisms that will make all the called-out bastards quake in fear. The song “End of Time” kicks in just past the midpoint of this cassette and is an absolute ripper, with moments of it sounding like AUS-ROTTEN or even BEHIND ENEMY LINES. Is it wrong to say I hope HOPE? releases more material? Even if they don’t, this cassette is an instant classic and holds an important position in the ongoing conversation that is hardcore anarcho-punk.

The Astronauts When You’re Not So High LP

The ASTRONAUTS, the epitome of punk rock jam bands, are a developed taste, but When You’re Not So High is actually quite easy on the taste buds, as the ASTRONAUTS rock harder on this LP than on any previous release. This four-song LP has song lengths that may push the boundaries of your attention span, but that won’t be the fault of the band. “Heresy,” the opening track, is a very moody (edging near dub session) critique of contemporary punk and our failing governments, all delivered in the poetic manner only Mark Wilkins (a.k.a. Mark Astronaut) is capable of. The second song “Have It” almost reads as “All Night Party, Part Two” with a pulsating club beat driving an anti-party/party track, and if you’re looking for the “punk” on this album, wait for this song’s midpoint—by the end of it, you’ll be questioning your own complicity in the scheme. “High” and “Melissa’s Party”, the final two songs, almost flow into one unit as they meander and then suddenly rage against the politics of social gatherings as viewed through the lens of 40-plus years of partying experience. I often listened to the ASTRONAUTS in the same way as I view surrealist art, a quick review followed by several hours of discovering the various hidden messages and small enclaves that make the whole of the work interesting. What I can say at the moment is this album is full of very controlled vitriol aimed squarely at the external and internal bullshit of our day, all backed by constantly interesting arrangements. This might not be the most “punk rock” album, but I assure you the message is more punk than any of us actually are.

Crucifix Dehumanization LP reissue

In my braggadocious opinion, this is the most crucial album of all time, and thankfully, it’s been reissued. Sothira Pheng’s opening vocal delivery simultaneously gives me goosebumps and gets my blood boiling, ready for the hardcore to come. The under-production of this album gives the feeling of CRUCIFIX playing in the room with you, while still managing to cleanly and accurately capture the skills of the band. Jake Smith has that crazy ability to accurately riff at breakneck speeds and then slam on the brakes. Bassist Matt Borruso has that sound that is dirty and a little blown-out, but is evidently one of the powerhouses behind the band as his instrument is featured prominently throughout the album. Does drummer Chris Douglas have a drum set left after he plays? It honestly sounds like he’s attempting to smash through the heads and reshape the cymbals. The LP reissue has been produced to sound the same as the original recording, so there’s no missing any of this pivotal release. The original six-panel foldout poster sleeve is also included, so go ahead and throw that up on your wall. If you’ve never heard this album, well, now is the time. If you’re like me, and have literally worn out copies, it’s a good time to restock.

The Ire What Dreams May Come LP

Philadelphia’s the IRE has released What Dreams May Come as their first proper full-length. Building on their 2019 demo and 2021 cassette, the IRE opens this album with a short dirge and then ascends into a series of powerful, gothic anthems of hope and perseverance in dark times. The rhythm section of danceable bass guitar and precision drumming assist in creating a tight production, while moments of accurate guitar stabs are delivered quickly and deadly. Vocals reminiscent of Siouxsie Sioux serenade with lyrics of light and dark imagery in a balance of refined poetry—”The Chariot” and “Ketu: The Severed” are my current album highlights. What Dreams May Come leaves me dreaming of what the IRE will become with future efforts, as this album showcases excellent musicianship and a refined palate of particular taste.

Insanity Defense Asylum: Complete Recordings 1983–1985 LP

This is that ’80s hardcore I live for. The early 1980s were swarming with hardcore punk bands coming out of every nook and cranny, with too much attention always given to just a few bands and miniscule historic records of bands that should have mattered more. INSANITY DEFENSE is one of those bands that has flown under my radar (and I’m sure many others), and I’m sorry for having missed out for this long. INSANITY DEFENSE easily hold their own sonically against the great titans in the coliseum of early hardcore punk, and demonstrate their talent throughout each song on this historic document. The vinyl album, and accompanying zine, preserves two different recording sessions spanning a two-year timeframe. In this period of time, INSANITY DEFENSE honed their sound from speedy, houseparty hardcore punk into a deathrock-tinged hardcore powerhouse. The LP is further worth owning as it splits the two recording sessions between sides, serving not only to highlight the maturation of the band, but also as a unique listening experience in that Side A will attract fans of DOA and MDC, while Side B plays similar to AGENT ORANGE, TSOL, and even moments of CHRISTIAN DEATH.

Ojo Por Ojo Leprosario LP

“This sounds like a lot of other albums I’ve heard” is my default phrase of criticism, but in the instance of  OJO POR OJO’s release Leprosario, I mean it as the highest form of praise. Listing all the amazing inspirations OJO POR OJO certainly draws upon would take an entire page, and rather than just mimic other bands, they instead opt to carve a trench of their own, using a barrage of extreme music elements as their digging machine. This is one of those albums you can put on for your punk friends and your metal friends, and every subgenre and derivation of, and they’ll all ask, “Who is this?” There aren’t a lot of sounds coming from metal that really make my head turn these days, but OJO POR OJO gives me whiplash. Mixing elements of hardcore punk, crossover, and metal seamlessly so that you’ll never see what’s coming around the bend, OJO POR OJO continually gifts the listener with suprises and unique transitions. “Pisadas” opens this LP with a sludge-laden snarl that chugs along until suddenly a guitar begins picking a fast riff and this album switches into overdrive. “Borracho de Gasolina,” the next song, is a thrash fest ready for circle pits. Essentially, this album is a ten-song stampede in which OJO POR OJO demonstrates just how musically skilled they are. When you peruse the liner notes and realize this is a three-piece unit, and that the lead singer and guitar player are the same person, you’ll wonder how OJO POR OJO is capable of such immense power and precision. “Mausoleos de Metal” is a standout song; powerful, thrashing drums, soaring guitars, voracious vocals, everything OJO POR OJO is capable of, poured into a single glass, and served straight-up.